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VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)  
85  
GENDER REPRESENTATION IN CHILDREN’S STORIES:  
ATRANSITIVITYANALYSIS  
Ton Nu My Nhat*1, Ho Nu Nhu Y2  
1. Institute of Linguistics, Duy Tan University, Da Nang, 550000, Vietnam  
2. Department of Foreign Languages, Quy Nhon University, Vietnam  
Received 6 February 2021  
Revised 10 April 2021; Accepted 16 July 2021  
Abstract: The overriding purpose of this study is to examine the features of gender  
representation in the English stories for children by analyzing the transitivity system, which is a  
component in the ideational meaning of systemic functional grammar, associated with the  
internationally influential linguist M.A.K Halliday. The data were collected from the website  
show that all the six types of transitivity processes are found, with material processes having the highest  
frequency and followed by verbal, mental, relational, behavioral and existential processes. Besides, both  
genders are represented in a relatively equal manner in terms of occurrences as participants in different  
process types, though some gender bias still perpetuates. This may present a tangible challenge for those  
who attempt to use stories for children for educational purposes.  
Key words: gender representation, children’s stories, transitivity, Systemic functional grammar  
1. Introduction*  
Children’s literature is widely  
for most age groups, children’s literature is  
normally utilized in the educational context  
as reading input for ESL students. It is this  
unwavering influence of children literature  
that captured the attention of linguistic  
scholars (e.g., Davies, 1993; Nazari, 2007;  
Skelton, 1997). Driven by this same  
direction, this study is aimed to contribute to  
the practice of exploiting this genre in the  
teaching of English as a foreign and/or  
second language literature; it also aims to  
contribute to the literature on language and  
gender, ‘which has been moving from seeing  
language as reflection of gender towards  
language as construction of gender’  
(Nguyen, 2017, p. 156). This study focuses  
on the gender features in the English stories  
for children and determines whether any  
considered a potent medium through which  
young readers absorb the long-standing  
cultural heritage (Bettelheim, 2010). These  
handed-down cultural values are preserved  
and disseminated through stories for  
children - through their ‘messages about  
right and wrong, the beautiful and the  
hideous, what is attainable and what is out of  
bounds - in sum, a society’s ideals and  
directions’ (McCabe et al. 2011, p. 199). By  
orienting and shaping how children should  
reflect on themselves and society, this form  
of literature is, beyond doubt, endowed with  
enormous social power (Smith, 1987).  
Moreover, Lazar (1993) points out that given  
its widespread popularity as a reading source  
* Corresponding author.  
Email address:  
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)  
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gender bias exists. The research questions to  
be answered are: (1) how are female and  
male characters presented in terms of  
participant roles in the stories under study?  
and (2) is there any significant gender bias in  
the stories?  
in the flow of events as taking place  
through some input of energy’ (p. 179).  
Prototypically,  
these  
relate  
to  
perceivable, concrete changes in the  
material world. They also cover abstract  
processes. The main participants in the  
material process are Actor and Goal:  
The Actor is ‘the one that does the deed’  
― that is, the one that brings about the  
change. (p. 179), and the Goal is the one  
‘to which the process is extended.’ (p.  
181)  
2. Theoretical Background  
2.1. Systemic Functional Grammar  
Systemic Functional Grammar  
describes and explains the organization of  
‘meaning-making resources’ used to  
communicate meanings and perform  
multiple functions in various contexts of our  
everyday lives. This framework divides the  
functions of language into three types. These  
are the ideational meta-function - language  
is used to construe our experience of the  
outer world and our inner world; the  
interpersonal meta-function - language is  
used to enact our personal and social  
relationships, and lastly the textual meta-  
function - language is employed to organize  
discourse and create continuity and flow.  
• Mental processes construe participants  
entangled in conscious processing,  
including processes of perception,  
cognition and affection. The main  
participants in this process are Senser  
and Phenomenon. Senser must be  
endowed with consciousness because it  
is ‘the one that ‘senses’ ― feels, thinks,  
wants or perceives’ (p. 201). On the  
other hand, what ‘is felt, thought,  
wanted, or perceived’ is named  
Phenomenon (p. 203).  
• Relational processes are processes of  
being, becoming, in which a participant  
The  
ideational  
meta-function  
encompasses logical function (language  
describes logical relationship between two  
or more meaningful units) and experiential  
is  
characterized,  
identified  
or  
circumstantially situated. The English  
system operates with three main types  
of relation – intensive, possessive and  
circumstantial, and each of these comes  
in two distinct modes of being –  
attributive and identifying. (p. 215). The  
items and participants involved are  
variously termed Carrier, Attribute,  
function  
(language  
expresses  
our  
experiences with external and internal  
worlds). The experiential function is chiefly  
construed by a configuration of a process,  
participants involved and any attendant  
circumstances.  
Identifier,  
Possessed, Token, or Value.  
• Behavioral processes are processes of  
‘physiological and psychological  
behavior’, like breathing, coughing,  
smiling, dreaming and staring. The only  
participant in this process is Behaver, a  
prototypically conscious being (p. 248).  
• Verbal processes are processes of  
saying, such as telling, stating,  
Identified,  
Possessor,  
2.2. Transitivity  
‘The transitivity system construes  
the world of experience into a manageable  
set of PROCESS TYPES.’ (Halliday &  
Matthiessen, 2004, p. 170). Transitivity  
includes six kinds of processes: (a) material  
process, (b) mental process, (c) relational  
process, (d) behavioral process, (e) verbal  
process and (f) existential process.  
• Material processes construe the ‘doing’  
informing,  
demanding,  
asking,  
offering,  
querying,  
threatening,  
and ‘happening’, ‘a quantum of change  
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suggesting, and so on. The major  
participants are Sayer and Target.  
• Existential processes function to  
introduce an existence into the text, as a  
first step in talking about it. The  
Table 1  
existence may relate to an entity or an  
event, which is simply labelled Existent.  
Table 1 summarizes the process  
types, their meanings and participants.  
Process Types, Their Meanings and Participants (Halliday & Matthiessen, 2004, p. 260)  
Participants,  
Participants,  
PROCESS TYPE Category meaning  
directly involved  
obliquely involved  
material:  
action  
‘doing’  
‘doing’  
‘happening’  
‘behaving’  
Actor, Goal  
Recipient, Client;  
Scope; Initiator;  
Attribute  
event  
behavioral  
Behaver  
Behaviour  
mental:  
‘sensing’  
‘seeing’  
Senser, Phenomenon  
perception  
cognition  
desideration  
emotion  
‘thinking’  
‘wanting’  
‘feeling’  
verbal  
‘saying’  
Sayer, Target  
Receiver; Verbiage  
relational:  
‘being’  
Carrier, Attribute  
Identified, Identifier;  
Token, Value  
Attributor, Beneficiary  
Assigner  
attribution  
identification  
‘attributing’  
‘identifying’  
existential  
‘existing’  
Existent  
Another component of the clause as  
representation is the circumstance. This is  
the name given to those elements which  
carry a semantic load but are neither Process  
nor Participant. Circumstances, in some  
respects, are more peripheral than  
Participants. They occur freely in all types of  
processes with essentially the same  
an entity which is gender selected. In this  
study, we chose to take into consideration  
only the processes. This is an analytical  
decision, far from a claim that circumstantial  
elements are not associated with gender.  
2.3. Relevant Studies on Gender  
Representation  
Given the potential effects of  
children’s literature on the social  
development of the young generations, these  
types of discourse have withdrawn the  
attention of many researchers, such as  
Acevedo (2010), Esen (2007), Helleis  
(2004), Mathuvi et al. (2012), Ullah (2013),  
to name just a few. For example, Mathuvi et al.  
(2012) conducted research on gender  
displays in 40 picture storybooks which  
were used as supplementary reading texts for  
significance  
wherever  
they  
occur.  
Semantically, circumstantial elements refer  
to such matters as the settings, temporal and  
physical, the manner in which the process is  
implemented, the people or other entities  
accompanying the process. There are nine  
types of circumstances: Extent, Location,  
Manner, Role, Cause, Contingency,  
Accompaniment, Matter, and Angle. Of the  
types of circumstances, those of Behalf,  
Accompaniment, Role, Angle may involve  
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elementary students in Kenya. Based on  
Goffman’s model of decoding gender  
displays and visual sexism, the findings  
indicated that though females were painted  
in both positive and negative images, they  
were largely portrayed as subordinate to men  
in function ranking. These conclusions  
corroborated with previous studies on  
children’s texts (Acevedo et al., 2010;  
Helleis, 2004). Gender display was also  
examined in the light of proper names, nouns  
and pronouns. Studies in different children's  
books revealed that male characters were  
given more culturally specific names, nouns  
and pronouns than female counterparts  
(Esen, 2007; Ullah, 2013).  
commonly read, totaling 3,285 running  
words. The criteria to be chosen were  
accessible and sizable. The titles, along with  
their word-count, are shown in Appendix  
and coded as [S1]-[S10].  
3.2. Data Analysis  
The unit of analysis is the clause.  
Given the aims of the study, only the  
linguistic-gendered clauses were analyzed in  
terms of the features under focus. Linguistic-  
gendered clauses are those that involve one  
gender – male (M) or female (F). Since the  
samples are stories for children with  
elements of fantasy and imaginary worlds,  
various animals are endowed with human  
characteristics, among which are verbal,  
mental, physical abilities and, of course,  
gender identity. It is therefore justifiable to  
take such human-like characters into the  
analysis. Gender identification was based on  
the nominal groups. Some are inherently  
either males, such as ‘King’, ‘Prince’,  
‘brother’, ‘son’, ‘father’, or females, such as  
‘Queen’, ‘Princess’, ‘sister’, ‘daughter’,  
‘mother’. The personified animals were  
based on the pronouns referring to the  
antecedents, either ‘he’/ ‘him’ or ‘she’/ ‘her’.  
Some recent studies have applied the  
Transitivity system in the systemic  
functional  
grammar  
(Halliday  
&
Mathiessen, 2004) to explore gender  
representation in English learning materials.  
For instance, Sari (2011) investigated the  
representation of males and females in a  
series of Indonesian primary English  
textbooks and found that male characters are  
given higher visibility than females in terms  
of their occurrence frequency and the  
participant roles. Likewise, Gharbavi and  
Mousavi (2012) examined four currently  
used Iranian highschool English textbooks  
and concluded that males outnumber their  
counterparts in almost all participant roles,  
except for the Senser role.  
As regards the compound word  
groups, we counted only the obvious males  
or females (e.g., ‘the Stepmother and the two  
Stepsisters’), which can then be referred to  
by ‘they’ or ‘them’, ‘we’ or ‘us’. The  
participants involving both genders (e.g., ‘a  
good, kind King and his Queen’, ‘the ant and  
the dove’, ‘the prince and Belle’ etc.) were  
excluded from the quantification of  
frequency. Besides, the nominal groups  
which are not referring expressions (i.e.,  
those used to refer to a particular character)  
were also excluded (e.g., ‘The Prince visited  
every house in the Kingdom, but he could not  
find one girl who could wear this shoe.’).  
3. Materials and Methods  
3.1. Sampling  
The source of the data is the website  
which offers a diverse collection of widely  
known and captivating stories for children.  
Therefore, the stories are usually exploited  
as a resource for English language teaching  
in foreign contexts. Due to the length of each  
sample and the depth of the analysis, the  
number of samples is restricted to only ten  
stories deemed as well-known and  
The analyses of each clause in terms  
of process and of each nominal group  
realizing a participant in terms of role were  
manually undertaken because both are  
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89  
heavily dependent on the meanings in  
context. The analyses were independently  
performed by the two researchers, and then  
compared between the two analyzers. The  
fusing, indeterminate cases were agreed  
upon based on discussion; these mostly  
involved the behavioral processes, as “the  
least distinct of all the six process types”  
(Halliday & Matthiessen, 2004, p. 248).  
(tantamount to 43.48% of all gendered  
instances found), followed by verbal,  
mental, and relational processes, each of  
which occupies a relatively equal share  
(18.18%,  
15.72%,  
and  
14.98%,  
respectively). The dominance of material,  
mental and relational processes is no  
surprise,  
since  
Matthiessen  
(1999)  
generalizes that material, mental and  
relational are the main process types in the  
English transitivity system. However, the  
frequent presence of verbal processes, which  
account for approximately one-fourth  
(18.18%) is worth noting, given its status as  
one of the three marginal processes in the  
transitivity system. This deviation can be  
justified by the nature of children’s stories:  
Talking characters and their verbal  
exchanges are extensively used to ease  
young readers’ understanding process. At  
the other end of the scale are behavioral and  
existential processes (5.89 and 1.71%,  
respectively). The distribution of these  
process types is summarized in Table 2.  
In the following section, the source  
of each example is referred to by the number  
of the story as listed in the Appendix,  
enclosed in square brackets.  
4. Findings and Discussion  
4.1. The Frequency of Process Types  
The analysis reveals that 407  
linguistic-gendered clauses are used across  
ten chosen children’s stories. These  
gendered instances were categorized in  
terms of process types. Material processes  
dominate the picture with 177 instances  
Table 2  
Distribution of Process Types  
Process  
Material Verbal Mental Relational Behavioral Existential Total  
No. of occ. 177  
74  
64  
61  
24  
7
407  
100  
%
43.48  
Frequency  
18.18 15.72  
14.98  
5.89  
1.71  
4.2.  
The  
of  
Gender  
the poor man, etc. A closer look reveals that  
there are more male characters than females  
in most stories, except for S6, S7 and S8.  
What seems intriguing here is that most  
animals endowed with human traits are  
taken as males, especially ones that embody  
potent entities, such as the flounder in S5 or  
noble personalities such as the monkey in  
S1, the frog in S2 and the beast in S10. There  
are also female animals like the ant in S9 and  
the baby horse in S3, yet none of them are  
endowed with any paranormal or social  
powers.  
Representation in Transitivity Processes  
As seen from Table 3, all the ten  
chosen stories have both male and female  
characters and the total proportions of the  
two genders are roughly equal, with the  
figure for males being insignificantly above  
that of females (51.02 vs. 48.97). The  
nominal group realizing the participants are  
mostly simple, hardly modified, such as the  
prince, the stepsister, his wife, the baby, the  
princess, the Queen, the King, Belle, her  
father, the beast, the flounder, his first son,  
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Table 3  
Number of Male and Female Characters  
Total  
No.  
No. of characters by gender S1 S2 S3 S4 S5 S6 S7 S8 S9 S10  
%
Male  
4
2
2
2
4
3
2
2
2
1
3
5
3
4
1
3
2
1
2
1
25  
24  
51,02  
48,97  
Female  
Table 4 summarizes the frequencies  
of each participant role across gender in the  
six process types.  
doing, or undertaker of the process  
happening. That males corner a significantly  
high proportion of material processes  
portrays them as active, powerful and  
Table 4  
autonomous.  
frequently  
Moreover,  
described  
males  
are  
Distribution of Types of Processes  
in  
physically  
Type  
M
F
Total  
177  
demanding actions like ‘riding’, ‘taking’  
(catching or grabbing something), ‘going’,  
‘catching’, ‘getting’, or ‘finding’. A point to  
note is that in S7 and especially S6, females  
constitute a higher number of Actor roles,  
which seems to be conflicting with the  
overall trend of male dominance. However,  
this difference must partly result from a  
significantly higher number of females in  
these two stories, as introduced in Table 3 (5  
vs. 3 and 4 vs. 3).  
MATERIAL  
Actor  
89 84 163  
03 26 29  
04 04  
Goal  
Recipient  
VERBAL  
Sayer  
74  
38 36 74  
14 11 25  
61  
Receiver  
RELATIONAL  
Carrier  
Female characters show a higher  
inclination to Goal participation (as  
summarized in Table 4), at whom the actions  
are directed. This result echoes with what  
has been found by Sari (2011), who  
discovered the dominance of male as Actor  
and female as Goal in the English textbooks.  
Such representations may perpetuate the  
stereotypes of females as passive,  
dependent, and simultaneously cement the  
image of males as being active, independent.  
26 35 61  
64  
MENTAL  
Senser  
38 26 64  
06 05 11  
01 01  
Phenomenon  
Recipient  
BEHAVIOURAL  
Behaver  
24  
08 16 24  
07  
EXISTENTIAL  
Existent  
Another noticeable result is the  
interaction between females and males in  
material processes. When males take the  
position of Actor, they tend to direct their  
action at females, who can be Goals or  
Recipients (e.g., ‘till he met a kind girl’ [S2];  
‘[The Prince] accompanied her in’ [S6];  
‘[He] trying to bring his daughter back to  
life’ [S8]; ‘he had found a real princess’  
[S4]). In contrast, female Actors are more  
02 05 07  
4.2.1. Material Process  
The most frequently occurring  
participant in the material process is Actor,  
with 89 featuring male characters and 84  
female characters. Seven out of ten stories  
see higher occurrences of males as Actor.  
Actor is the performer of the process of  
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)  
91  
likely to aim their actions at other females  
(e.g., ‘[the old Queen] allowed her to rest’  
[S4]; ‘The old Queen led the princess to the  
bed’ [S4]; ‘The Prince met her at the door’  
[S6]).  
significant margin in the cognitive group,  
roughly 3 times higher than females.  
Meanwhile, females enjoy  
a
higher  
frequency in desideration sub-processes,  
particularly with processes like ‘crave’,  
‘wish’, ‘hate’ (e.g., But as she craved for  
more, one sleepless night she wished the  
ultimate wish - she wanted to be like a god.  
[S5]).  
Another interesting observation  
relates to a common process in children’s  
stories, the act of becoming the husband and  
wife. This act can be linguistically realized  
in two ways. It could be put as “A marries  
B”, which is a material process with A as  
Actor and B as Goal. Otherwise, we could  
say “A and B get/are married”, which is a  
relational process with A and B as Carriers  
(equal participants). What captures the  
researchers’ attention is that the material  
pattern “A marries B” is more frequently  
used, and mostly realized with a male  
character as A (Actor) and a female as B  
(Goal) (e.g. ‘The King marries a beautiful  
princess’ [S1]; ‘The King marries a new  
Queen’ [S6]; ‘The Prince took her for his  
wife’ [S6]; ‘The Prince then asked if he  
could marry the Princess’ [S7]. An  
exception is found in S6, where the prince  
asked Cinderella: ‘Will you marry me?’.  
Here, for the first and only time across ten  
stories under investigation, a female is  
positioned as the Actor of the process  
‘marry’. Nonetheless, it should also be  
noticed that this clause is projected by a male  
character in which he is the Sayer.  
Table 5  
Distribution of Subtypes of Mental  
Processes  
Male Female Total %  
Cognition  
Perception  
15  
11  
6
21  
18  
12  
13  
64  
32,81  
28,12  
18,75  
20,31  
100  
7
Desideration 5  
7
Emotion  
Total  
7
6
38  
26  
Secondly, the process verbs seem to  
be distributed in a gendered manner. Some  
processes can be used for both males and  
females (such as hear, know, love, realize,  
see, think, want); however, many others  
accompany males only, such as believe,  
decides (x3), find, forget, like, overwhelm,  
stun, devastate, alarm (e.g. ‘He was so  
overwhelmed by her beauty’ [S7]; ‘The King  
is stunned by the little girl’s answers.’ [S3];  
‘He was devastated and started crying and  
trying to bring his daughter back to life  
[S9]’; ‘The dove was alarmed by the voice of  
the hunter [S9]’).  
4.2.2. Mental, Relational and  
Verbal Processes  
Mental processes constitute about  
16% (15.72%), and male Sensers outnumber  
their female counterparts (59.37% vs  
40.62%). Phenomenons appear in well under  
one-fourth of the mental processes (17.18%)  
and only one Recipient is found (‘He only  
wanted the rose for his daughter Belle’  
[S10]). Some surprising findings arise from  
a detailed analysis of the mental processes  
(Table 5). Firstly, males have larger  
proportions in three sub-processes cognitive,  
perceptive and emotive, especially with a  
The final revelation is concerned  
with the equal treatment of Phenomenon:  
Males and females alike are heard, seen,  
loved (e.g. ‘heard the princess crying’ [S2];  
‘seeing the ant in trouble’, ‘loved his  
daughter more than anything’ [S8]; ‘loves  
him’ [S10]; ‘saw the beautiful dove sitting on  
the tree’ [S9]; ‘loved the beast’ [S10], ‘hears  
of the two brothers.’ [S3]).  
Relational processes account for  
approximately 15% (14.98%), which were  
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92  
further analyzed in terms of the three sub-  
processes. The findings are shown in Table 6.  
There are only three instances of  
circumstantial sub-processes, tantamount to  
a marginal proportion of 4.91% (e.g., ‘You  
are at the Ball?’ [S6]; [two brothers] ‘are off  
to the market.’ [S3]; ‘the boy is not there!’  
[S1]). Regarding possessive sub-processes,  
7 out of 12 Carriers are female; moreover,  
from a semantic viewpoint, three of these  
female Carriers possess items related to  
‘baby’ (e.g., ‘the Queen had a baby girl’;  
‘The King’s wife soon has a baby boy’; ‘The  
new wife has a baby boy’. [S1]), while the  
other instances involve material, concrete  
items (e.g., ‘Cinderella instantly had a  
lovely dress and shoes’, ‘We must get new  
dresses’ [S6]).  
by males are varied, ranging from abstract  
entities like ‘dream’, ‘idea’, ‘opportunity’  
(e.g., ‘One night, the teacher has a dream.’  
[S1]; ‘The poor man has no ideas.’[S3]; ‘he  
had an opportunity’ [S8]), to concrete,  
touchable things like horse or castle (e.g.,  
‘The rich brother has a big, strong stallion.’  
[S3]; ‘The castle belonged to a hideous  
beast’ [S10], ‘The poor brother has a young  
mare.’ [S3]). One cannot ignore the different  
natures of the concrete items possessed by  
the two genders: while males are entitled to  
things traditionally attached with long-term,  
stable values like cattle - useful for  
transportation and farming, or castles -  
permanent accommodation and a token of  
social status, females are often conjured up  
within the image of frivolous, short-valued  
possessions like dresses or shoes.  
On the contrary, the items possessed  
Table 6  
Distribution of Subtypes of Relational Processes  
Male  
Female  
No. of occurrence %  
Total  
No. of occurrence %  
No. of occurrence %  
4,91  
Circumstantial 2  
3,27  
8,19  
1
7
1,63  
3
11,47 12  
44,26 46  
57,37 61  
Possessive  
Intensive  
Total  
5
19,67  
75,40  
100  
19  
26  
31,14 27  
42,62 35  
The intensive group has the biggest  
figure across the table (75.40%). Given its  
high percentage, closer analysis was  
undertaken with its instances being put into  
2 modes: attributive and identifying  
(Table 7).  
Table 7  
Distribution of Two Modes of Relational Processes  
Male  
Female  
No. of occurrence %  
41,30 27  
Total  
No. of occurrence %  
No. of occurrence %  
Attributive 8  
Identifying 11  
Total 19  
17,39 19  
58,69  
41,30  
100  
23,91 9  
19,56 19  
58,69 46  
41,30 27  
As regards Attributor, a significant  
number of male Carriers are described in a  
positive light. For instance, ‘The King is very  
happy with the wise little girl.’ [S3]; [He] ‘to  
become richer’ [S8]; ‘the Beast was very  
good natured and not vicious’ [S10]; ‘I am  
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93  
an enchanted prince!’ [S10]. Only four  
negative cases were found (‘the Prince was  
very unhappy’[S6]; ‘his first son is lost  
‘[S1]; ‘The teacher is very sad.’ [S1]; ‘he got  
blinded by the shiny new towers of the  
palace.’ [S5]).  
male characters beg, croak, explain, speak,  
thank (e.g., ‘The prince thanked her and  
explained that a witch cursed him’ [S1]).  
Meanwhile, only female characters admit,  
answer, argue (x 5), reply, mock, question,  
curse, scream (e.g.: ‘The stepsisters mocked  
her’ [S6], ‘The Queen questioned the  
Princess’ [S4]; [They] screamed [S6]). That  
the process ‘curse’ is female-only speaks  
volumes about the unbalanced choice of  
gender for certain characters: the evil,  
insidious powers are mostly represented by  
witches (females) rather than wizards  
(males).  
This favorable representation of  
male characters throws female portrayal into  
sharp relief: The numbers of positive and  
negative words for females are roughly  
equal. Here are some examples of positive  
and negative portrayal of females:  
Negative: ‘his wife wasn’t happy at  
all.’[S5]; ‘she was forever indebted to the  
dove’ [9]; ‘the wicked fairy in disguise’ [S7];  
‘they were always terrible to poor  
Cinderella’ [S6]; ‘who was mean and  
wicked but very powerful’ [S7]  
4.2.3. Behavioral and Existential  
Processes  
Only 24 instances of behavioral  
process are found, accounting for merely 6%  
(5.89%). The number of female Behavers  
double that of males (16 against 8). Small as  
the number of instances is, further analysis  
of behavioral processes does yield  
unexpected outcomes. While both males and  
females ‘cry’, ‘die’, ‘sleep’ and ‘smile’,  
other behavioral processes are exclusively  
used for one gender. Only males ‘look’ and  
‘kiss’ (e.g., ‘he kissed her gently’ [S7]; ‘the  
teacher looks back’ [S1]), whereas ‘laugh’  
and ‘wake up’ are solely found with female  
Behavers (e.g., ‘You are at the Ball? Don't  
make us laugh’ [S6]). This finding certainly  
provides some food for thought; for  
example, one may wonder why the process  
of ‘kiss’, which involves high levels of  
agency on the part of the doer, is solely  
assigned to a male Behaver. Another  
interesting result is that only one instance of  
male ‘crying’ is found, while this figure for  
females amounts to 5. For instance,  
Positive: ‘She was like a god.’ [S5];  
‘She looked wonderful!’ [S6]; ‘she was  
delighted to see it.’ [S9]; ‘The Stepmother  
and the two Stepsisters were so excited.’  
[S6]; ‘We get new dresses and look our very  
best’ [S6]  
A redeeming point is the values  
attached to both genders are mostly positive.  
For instance: ‘She became the emperor and  
soon enough, the pope’ [S5]; ‘she turned  
into a gold statue’ [S8]; ‘The monkey  
changes into the King’s older brother.’ [S1];  
‘the rat into a coachman’ [S6].  
As regards verbal process, the  
analysis shows a higher frequency of males  
as both Sayer and Receiver, which contrasts  
sharply with the common belief that females  
are more of a talker. However, the margin is  
relatively narrow; therefore, no fundamental  
judgement should be made here. A  
qualitative analysis points out that both male  
and female participants frequently ‘say’,  
‘tell’, ‘ask’, ‘call’ or ‘shout’, among which  
‘say’ and ‘tell’ (27 and 8 instances  
respectively) have the highest frequency and  
are equally paired with both genders.  
Another finding is that certain processes are  
exclusively used for females or males. Only  
(1) He was devastated and started crying and  
trying to bring his daughter back to life. [S8]  
(2)Afrognearbyheardtheprincesscrying. [S1]  
(3) She cried thinking the water was too deep  
for her to find the golden ball. [S2]  
(4) Cinderella sat down and cried. [S6]  
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)  
94  
(5) They [the stepsisters] pushed and pulled  
and screamed and cried but … [S6]  
between male and female characters in the  
investigated stories should, therefore, be  
seen as a positive outcome. Third, repetitive  
instances of word choice, such as ‘crying’  
females and males ‘marry’ females, are  
some obvious indications of gender  
stereotypes embedded deep within the  
stories.  
(6) She held the Beast and cried. [S10]  
Existential process is normally used  
at the very beginning of the stories to  
introduce characters; as a result, this process  
is scarcely featured. The results, however,  
point out that more male characters are  
introduced this way, even if the males play a  
secondary role in the story’s plot. Instances  
of existential process at the beginning of the  
tales include:  
In  
terms  
of  
methodological  
implications, this work has reconfirmed the  
huge potential of Systemic Functional  
Grammar as a tool for discourse analysis.  
However, if the researchers applied this  
framework to quantitative analysis only, the  
results would have been a list of closely-  
valued numbers with no significant margins;  
therefore, the researchers may have found it  
more challenging, or even have failed to  
draw any major findings. This is to highlight  
the importance of qualitative analysis in the  
application of SFG, especially in studies  
where the focus is not on making hypotheses  
or generalizations, but on examining  
whether the presumed problems exist.  
(7) Once upon a time, there lived a King. [S1]  
(8) Once upon a time, there lived a beautiful  
princess. [S2]  
(9) Once upon a time there was a prince who  
wanted to marry a princess [S4]  
(10) Once upon a time, there lived a beautiful  
girl called Cinderella that lived [S6]  
(11) Once there lived a greedy man in a  
small town. [S9]  
(12) There once was a merchant who got lost  
in a storm… [S10]  
This study has also gone some way  
towards enhancing our awareness of the  
issue of gender representation in children's  
literature. It is advisable for teachers to keep  
an open eye for any sexist ideologies  
subliminally embedded. However, it does  
not necessarily entail that stories that carry  
gender stereotyping should be avoided  
altogether; there are some possible ways to  
turn these writings to good use. Learners at  
elementary levels can practice English by  
retelling a story with the given clues such as  
pictures or flashcards, with which the  
teacher can make small twists to discard the  
gender bias. For example, the princess is  
brave and confident (instead of beautiful and  
caring); the prince and the princess could get  
married (instead of ‘The prince could marry  
the princess’), or she held the crying beast  
(instead of ‘She held the beast and cried’).  
For learners at a higher proficiency level,  
besides story telling or acting out activities,  
teachers can engage them in a critical  
5. Conclusion and Implications  
This paper is aimed to contribute to  
the research on language and gender with  
reference to children literature. Based on  
systemic functional grammar as a tool of  
discourse analysis, we have a detailed  
account of how males and females are  
represented in the English well-known  
stories for children.  
Some noticeable findings are worth  
restating here. First, verbal processes have  
higher occurrences than mental and  
relational processes, which can possibly be  
attributed to the nature of children’s stories.  
Second, females surpass males in the  
Carrier, Behaver and Existent roles. This  
result was not anticipated since in some  
similar research (e.g., Gharbavi & Mousavi,  
2012; Sari, 2011), males were consistently  
found to dominate all the Participant roles.  
This relatively balanced representation  
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)  
95  
Esen, Y. (2007). Sexism in school textbooks prepared  
under education reform in Turkey. Journal  
for Critical Education Policy Studies, 5(2),  
109-115.  
discussion of the way the male and female  
characters are portrayed in the original  
version. Offering learners such a non-  
pedagogical goal of examining a social  
problem could probably raise their interest  
and reduce boredom.  
Gharbavi, A., & Mousavi, S. A. (2012). The  
application of functional linguistics in  
exposing gender bias in Iranian highschool  
English textbooks. English Language and  
A tangible weakness of this study  
lies in the data scale, but such intentional  
restriction on the samples did allow the  
researchers to thoroughly probe into the  
matter on a wider range of levels - text,  
clause and word-group. However, future  
studies on a larger scale are required since  
our findings might not be transferable to  
other short stories for children.  
Literature  
Studies,  
2(1),  
85-93.  
Halliday, M. A. K., & Matthiessen, C. M. I. M.  
(2004). An introduction to functional  
grammar (3rd ed.). Hodder Arnold.  
Helleis, L. D (2004). Differentiation of gender roles  
and sex frequency in children’s literature  
[Unpublished  
Maimonides University.  
Lazar, G. (1993). Literature and language teaching:  
guide for teachers and trainers.  
doctoral  
dissertation].  
The research is theoretically based  
on systemic functional grammar (Halliday &  
Matthiessen, 2004), but the in-depth analysis  
was carried out exclusively with only the  
transitivity system. An analysis of nominal  
groups and verbal groups realizing the  
processes and the participants from the angle  
of Appraisal theory by Martin and White  
(2005) may be a very fruitful direction to be  
undertaken to capture insights into the  
interpersonal meaning in this genre. Besides,  
these stories are accompanied with video  
footage (readily available on the website  
itself) to vividly illustrate the texts; thus,  
further studies, which take visual modes into  
account, will be needed to shed more light  
on the matter of gender representation.  
A
Cambridge University Press.  
Martin, J. R., & White, P. R. R. (2005). The language  
of evaluation: Appraisal in English.  
Palgrave Macmillan.  
Mathuvi, P. N, Ireri, A. M., Mukuni, D. M., Njagi, A.  
M., & Karugu, N. I. (2012). An analysis of  
gender displays in selected children picture  
books in Kenya. International Journal of  
Arts,  
2(5),  
31-38.  
Matthiessen, C. M. I. M. (1999). The system of  
transitivity: An exploratory study of text-  
based profiles. Functions of Language, 6(1),  
McCabe, J., Fairchild, E., Grauerholz, L.,  
Pescosolido, B. A., & Tope, D. (2011).  
Gender in twentieth-century children's  
books: Patterns of disparity in titles and  
central characters. Gender & Society, 25(2),  
197-226.  
References  
Acevedo, C. R., Ramuski, C. R., Nohara, J., &  
Trindade, L. V. (2010). A content analysis  
of the roles portrayed by women in  
commercials: 1973-2008. Revista Brasileira  
Nazari, A. (2007). Power on the page: Examining  
embedded power relations in English  
textbooks for Iranian students. In R. D.  
Reiss, R. Depalma & E. Atkinson (Eds.),  
Marginality and difference in education and  
beyond (pp. 135-148). Trentham Books.  
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studies: Past and current approaches and  
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Davies, B. (1993). Shards of glass: Children reading  
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The representation of gender in Learn  
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Skelton, C. (1997). Revisiting gender issues in  
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Appendix: Data Source  
selected stories are: 1. The green monkey; 2. The frog prince; 3. The wise little girl story; 4.  
The princess and the pea; 5. The fisherman and his wife; 6. Cinderella; 7. Sleeping beauty; 8.  
The golden touch; 9. The ant and the dove; 10. Beauty and the beast.  
For easier reference, the ten stories are coded from S1 to S10. Their word counts are as  
follows:  
Table A  
Word Counts of Ten Investigated Stories  
Story  
S1 S2 S3 S4 S5 S6 S7 S8 S9 S10  
Word count 268 257 363 303 327 484 399 194 206 232  
THỂ HIỆN GIỚI TÍNH TRONG CÁC CÂU CHUYỆN  
DÀNH CHO TRẺ EM: PHÂN TÍCH HỆ THỐNG CHUYỂN TÁC  
Tôn Nữ Mỹ Nhật1, Hồ Nữ Như Ý2  
1. Viện Ngôn ngữ, Ðại học Duy Tân, Ðà Nẵng, Việt Nam  
2. Khoa Ngoại ngữ, Trường Đại học Quy Nhơn, Bình Định, Việt Nam  
Tóm tắt: Mục đích chính của nghiên cứu là tìm hiểu những đặc điểm của việc thể hiện giới tính  
trong các câu chuyện tiếng Anh dành cho trẻ em trên cơ sở phân tích hệ thống chuyển tác - một phần  
hiện thực hóa nghĩa ý niệm, trong các hệ thống nghĩa của Ngữ pháp chức năng hệ thống, gắn liền với  
tên tuổi của nhà ngôn ngữ học nổi danh thế giới, M.A.K Halliday. Các câu chuyện được thu thập từ  
trang web https://www.bedtimeshortstories.com và được phân tích ở cấp độ mệnh đề/cú và cụm từ. Kết  
quả nghiên cứu cho thấy tất cả sáu loại quá trình chuyển tác đều góp phần tạo dựng các câu chuyện,  
trong đó quá trình vật chất xuất hiện nhiều nhất, tiếp đến là quá trình nói năng, quá trình tinh thần, quá  
trình quan hệ, quá trình hành vi và cuối cùng là quá trình tồn tại. Bên cạnh đó, tần suất xuất hiện của  
nam và nữ được thể hiện khá đồng đều ở tất cả các quá trình chuyển tác, mặc dù một vài định kiến về  
giới tính vẫn còn tồn tại. Đây có thể là một thách thức cho những ai đang cố gắng sử dụng truyện dành  
cho trẻ em cho mục đích giáo dục.  
Từ khóa: thể hiện giới tính, chuyện kể cho trẻ em, hệ thống chuyển tác, Ngữ pháp chức năng hệ  
thống  
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