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VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
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GENDER REPRESENTATION IN CHILDREN’S STORIES:
ATRANSITIVITYANALYSIS
Ton Nu My Nhat*1, Ho Nu Nhu Y2
1. Institute of Linguistics, Duy Tan University, Da Nang, 550000, Vietnam
2. Department of Foreign Languages, Quy Nhon University, Vietnam
Received 6 February 2021
Revised 10 April 2021; Accepted 16 July 2021
Abstract: The overriding purpose of this study is to examine the features of gender
representation in the English stories for children by analyzing the transitivity system, which is a
component in the ideational meaning of systemic functional grammar, associated with the
internationally influential linguist M.A.K Halliday. The data were collected from the website
https://www.bedtimeshortstories.com and analyzed at the levels of clause and word group. The results
show that all the six types of transitivity processes are found, with material processes having the highest
frequency and followed by verbal, mental, relational, behavioral and existential processes. Besides, both
genders are represented in a relatively equal manner in terms of occurrences as participants in different
process types, though some gender bias still perpetuates. This may present a tangible challenge for those
who attempt to use stories for children for educational purposes.
Key words: gender representation, children’s stories, transitivity, Systemic functional grammar
1. Introduction*
Children’s literature is widely
for most age groups, children’s literature is
normally utilized in the educational context
as reading input for ESL students. It is this
unwavering influence of children literature
that captured the attention of linguistic
scholars (e.g., Davies, 1993; Nazari, 2007;
Skelton, 1997). Driven by this same
direction, this study is aimed to contribute to
the practice of exploiting this genre in the
teaching of English as a foreign and/or
second language literature; it also aims to
contribute to the literature on language and
gender, ‘which has been moving from seeing
language as reflection of gender towards
language as construction of gender’
(Nguyen, 2017, p. 156). This study focuses
on the gender features in the English stories
for children and determines whether any
considered a potent medium through which
young readers absorb the long-standing
cultural heritage (Bettelheim, 2010). These
handed-down cultural values are preserved
and disseminated through stories for
children - through their ‘messages about
right and wrong, the beautiful and the
hideous, what is attainable and what is out of
bounds - in sum, a society’s ideals and
directions’ (McCabe et al. 2011, p. 199). By
orienting and shaping how children should
reflect on themselves and society, this form
of literature is, beyond doubt, endowed with
enormous social power (Smith, 1987).
Moreover, Lazar (1993) points out that given
its widespread popularity as a reading source
* Corresponding author.
Email address:
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gender bias exists. The research questions to
be answered are: (1) how are female and
male characters presented in terms of
participant roles in the stories under study?
and (2) is there any significant gender bias in
the stories?
in the flow of events as taking place
through some input of energy’ (p. 179).
Prototypically,
these
relate
to
perceivable, concrete changes in the
material world. They also cover abstract
processes. The main participants in the
material process are Actor and Goal:
The Actor is ‘the one that does the deed’
― that is, the one that brings about the
change. (p. 179), and the Goal is the one
‘to which the process is extended.’ (p.
181)
2. Theoretical Background
2.1. Systemic Functional Grammar
Systemic Functional Grammar
describes and explains the organization of
‘meaning-making resources’ used to
communicate meanings and perform
multiple functions in various contexts of our
everyday lives. This framework divides the
functions of language into three types. These
are the ideational meta-function - language
is used to construe our experience of the
outer world and our inner world; the
interpersonal meta-function - language is
used to enact our personal and social
relationships, and lastly the textual meta-
function - language is employed to organize
discourse and create continuity and flow.
• Mental processes construe participants
entangled in conscious processing,
including processes of perception,
cognition and affection. The main
participants in this process are Senser
and Phenomenon. Senser must be
endowed with consciousness because it
is ‘the one that ‘senses’ ― feels, thinks,
wants or perceives’ (p. 201). On the
other hand, what ‘is felt, thought,
wanted, or perceived’ is named
Phenomenon (p. 203).
• Relational processes are processes of
being, becoming, in which a participant
The
ideational
meta-function
encompasses logical function (language
describes logical relationship between two
or more meaningful units) and experiential
is
characterized,
identified
or
circumstantially situated. The English
system operates with three main types
of relation – intensive, possessive and
circumstantial, and each of these comes
in two distinct modes of being –
attributive and identifying. (p. 215). The
items and participants involved are
variously termed Carrier, Attribute,
function
(language
expresses
our
experiences with external and internal
worlds). The experiential function is chiefly
construed by a configuration of a process,
participants involved and any attendant
circumstances.
Identifier,
Possessed, Token, or Value.
• Behavioral processes are processes of
‘physiological and psychological
behavior’, like breathing, coughing,
smiling, dreaming and staring. The only
participant in this process is Behaver, a
prototypically conscious being (p. 248).
• Verbal processes are processes of
saying, such as telling, stating,
Identified,
Possessor,
2.2. Transitivity
‘The transitivity system construes
the world of experience into a manageable
set of PROCESS TYPES.’ (Halliday &
Matthiessen, 2004, p. 170). Transitivity
includes six kinds of processes: (a) material
process, (b) mental process, (c) relational
process, (d) behavioral process, (e) verbal
process and (f) existential process.
• Material processes construe the ‘doing’
informing,
demanding,
asking,
offering,
querying,
threatening,
and ‘happening’, ‘a quantum of change
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suggesting, and so on. The major
participants are Sayer and Target.
• Existential processes function to
introduce an existence into the text, as a
first step in talking about it. The
Table 1
existence may relate to an entity or an
event, which is simply labelled Existent.
Table 1 summarizes the process
types, their meanings and participants.
Process Types, Their Meanings and Participants (Halliday & Matthiessen, 2004, p. 260)
Participants,
Participants,
PROCESS TYPE Category meaning
directly involved
obliquely involved
material:
action
‘doing’
‘doing’
‘happening’
‘behaving’
Actor, Goal
Recipient, Client;
Scope; Initiator;
Attribute
event
behavioral
Behaver
Behaviour
mental:
‘sensing’
‘seeing’
Senser, Phenomenon
perception
cognition
desideration
emotion
‘thinking’
‘wanting’
‘feeling’
verbal
‘saying’
Sayer, Target
Receiver; Verbiage
relational:
‘being’
Carrier, Attribute
Identified, Identifier;
Token, Value
Attributor, Beneficiary
Assigner
attribution
identification
‘attributing’
‘identifying’
existential
‘existing’
Existent
Another component of the clause as
representation is the circumstance. This is
the name given to those elements which
carry a semantic load but are neither Process
nor Participant. Circumstances, in some
respects, are more peripheral than
Participants. They occur freely in all types of
processes with essentially the same
an entity which is gender selected. In this
study, we chose to take into consideration
only the processes. This is an analytical
decision, far from a claim that circumstantial
elements are not associated with gender.
2.3. Relevant Studies on Gender
Representation
Given the potential effects of
children’s literature on the social
development of the young generations, these
types of discourse have withdrawn the
attention of many researchers, such as
Acevedo (2010), Esen (2007), Helleis
(2004), Mathuvi et al. (2012), Ullah (2013),
to name just a few. For example, Mathuvi et al.
(2012) conducted research on gender
displays in 40 picture storybooks which
were used as supplementary reading texts for
significance
wherever
they
occur.
Semantically, circumstantial elements refer
to such matters as the settings, temporal and
physical, the manner in which the process is
implemented, the people or other entities
accompanying the process. There are nine
types of circumstances: Extent, Location,
Manner, Role, Cause, Contingency,
Accompaniment, Matter, and Angle. Of the
types of circumstances, those of Behalf,
Accompaniment, Role, Angle may involve
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elementary students in Kenya. Based on
Goffman’s model of decoding gender
displays and visual sexism, the findings
indicated that though females were painted
in both positive and negative images, they
were largely portrayed as subordinate to men
in function ranking. These conclusions
corroborated with previous studies on
children’s texts (Acevedo et al., 2010;
Helleis, 2004). Gender display was also
examined in the light of proper names, nouns
and pronouns. Studies in different children's
books revealed that male characters were
given more culturally specific names, nouns
and pronouns than female counterparts
(Esen, 2007; Ullah, 2013).
commonly read, totaling 3,285 running
words. The criteria to be chosen were
accessible and sizable. The titles, along with
their word-count, are shown in Appendix
and coded as [S1]-[S10].
3.2. Data Analysis
The unit of analysis is the clause.
Given the aims of the study, only the
linguistic-gendered clauses were analyzed in
terms of the features under focus. Linguistic-
gendered clauses are those that involve one
gender – male (M) or female (F). Since the
samples are stories for children with
elements of fantasy and imaginary worlds,
various animals are endowed with human
characteristics, among which are verbal,
mental, physical abilities and, of course,
gender identity. It is therefore justifiable to
take such human-like characters into the
analysis. Gender identification was based on
the nominal groups. Some are inherently
either males, such as ‘King’, ‘Prince’,
‘brother’, ‘son’, ‘father’, or females, such as
‘Queen’, ‘Princess’, ‘sister’, ‘daughter’,
‘mother’. The personified animals were
based on the pronouns referring to the
antecedents, either ‘he’/ ‘him’ or ‘she’/ ‘her’.
Some recent studies have applied the
Transitivity system in the systemic
functional
grammar
(Halliday
&
Mathiessen, 2004) to explore gender
representation in English learning materials.
For instance, Sari (2011) investigated the
representation of males and females in a
series of Indonesian primary English
textbooks and found that male characters are
given higher visibility than females in terms
of their occurrence frequency and the
participant roles. Likewise, Gharbavi and
Mousavi (2012) examined four currently
used Iranian highschool English textbooks
and concluded that males outnumber their
counterparts in almost all participant roles,
except for the Senser role.
As regards the compound word
groups, we counted only the obvious males
or females (e.g., ‘the Stepmother and the two
Stepsisters’), which can then be referred to
by ‘they’ or ‘them’, ‘we’ or ‘us’. The
participants involving both genders (e.g., ‘a
good, kind King and his Queen’, ‘the ant and
the dove’, ‘the prince and Belle’ etc.) were
excluded from the quantification of
frequency. Besides, the nominal groups
which are not referring expressions (i.e.,
those used to refer to a particular character)
were also excluded (e.g., ‘The Prince visited
every house in the Kingdom, but he could not
find one girl who could wear this shoe.’).
3. Materials and Methods
3.1. Sampling
The source of the data is the website
which offers a diverse collection of widely
known and captivating stories for children.
Therefore, the stories are usually exploited
as a resource for English language teaching
in foreign contexts. Due to the length of each
sample and the depth of the analysis, the
number of samples is restricted to only ten
stories deemed as well-known and
The analyses of each clause in terms
of process and of each nominal group
realizing a participant in terms of role were
manually undertaken because both are
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heavily dependent on the meanings in
context. The analyses were independently
performed by the two researchers, and then
compared between the two analyzers. The
fusing, indeterminate cases were agreed
upon based on discussion; these mostly
involved the behavioral processes, as “the
least distinct of all the six process types”
(Halliday & Matthiessen, 2004, p. 248).
(tantamount to 43.48% of all gendered
instances found), followed by verbal,
mental, and relational processes, each of
which occupies a relatively equal share
(18.18%,
15.72%,
and
14.98%,
respectively). The dominance of material,
mental and relational processes is no
surprise,
since
Matthiessen
(1999)
generalizes that material, mental and
relational are the main process types in the
English transitivity system. However, the
frequent presence of verbal processes, which
account for approximately one-fourth
(18.18%) is worth noting, given its status as
one of the three marginal processes in the
transitivity system. This deviation can be
justified by the nature of children’s stories:
Talking characters and their verbal
exchanges are extensively used to ease
young readers’ understanding process. At
the other end of the scale are behavioral and
existential processes (5.89 and 1.71%,
respectively). The distribution of these
process types is summarized in Table 2.
In the following section, the source
of each example is referred to by the number
of the story as listed in the Appendix,
enclosed in square brackets.
4. Findings and Discussion
4.1. The Frequency of Process Types
The analysis reveals that 407
linguistic-gendered clauses are used across
ten chosen children’s stories. These
gendered instances were categorized in
terms of process types. Material processes
dominate the picture with 177 instances
Table 2
Distribution of Process Types
Process
Material Verbal Mental Relational Behavioral Existential Total
No. of occ. 177
74
64
61
24
7
407
100
%
43.48
Frequency
18.18 15.72
14.98
5.89
1.71
4.2.
The
of
Gender
the poor man, etc. A closer look reveals that
there are more male characters than females
in most stories, except for S6, S7 and S8.
What seems intriguing here is that most
animals endowed with human traits are
taken as males, especially ones that embody
potent entities, such as the flounder in S5 or
noble personalities such as the monkey in
S1, the frog in S2 and the beast in S10. There
are also female animals like the ant in S9 and
the baby horse in S3, yet none of them are
endowed with any paranormal or social
powers.
Representation in Transitivity Processes
As seen from Table 3, all the ten
chosen stories have both male and female
characters and the total proportions of the
two genders are roughly equal, with the
figure for males being insignificantly above
that of females (51.02 vs. 48.97). The
nominal group realizing the participants are
mostly simple, hardly modified, such as the
prince, the stepsister, his wife, the baby, the
princess, the Queen, the King, Belle, her
father, the beast, the flounder, his first son,
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Table 3
Number of Male and Female Characters
Total
No.
No. of characters by gender S1 S2 S3 S4 S5 S6 S7 S8 S9 S10
%
Male
4
2
2
2
4
3
2
2
2
1
3
5
3
4
1
3
2
1
2
1
25
24
51,02
48,97
Female
Table 4 summarizes the frequencies
of each participant role across gender in the
six process types.
doing, or undertaker of the process
happening. That males corner a significantly
high proportion of material processes
portrays them as active, powerful and
Table 4
autonomous.
frequently
Moreover,
described
males
are
Distribution of Types of Processes
in
physically
Type
M
F
Total
177
demanding actions like ‘riding’, ‘taking’
(catching or grabbing something), ‘going’,
‘catching’, ‘getting’, or ‘finding’. A point to
note is that in S7 and especially S6, females
constitute a higher number of Actor roles,
which seems to be conflicting with the
overall trend of male dominance. However,
this difference must partly result from a
significantly higher number of females in
these two stories, as introduced in Table 3 (5
vs. 3 and 4 vs. 3).
MATERIAL
Actor
89 84 163
03 26 29
04 04
Goal
Recipient
VERBAL
Sayer
74
38 36 74
14 11 25
61
Receiver
RELATIONAL
Carrier
Female characters show a higher
inclination to Goal participation (as
summarized in Table 4), at whom the actions
are directed. This result echoes with what
has been found by Sari (2011), who
discovered the dominance of male as Actor
and female as Goal in the English textbooks.
Such representations may perpetuate the
stereotypes of females as passive,
dependent, and simultaneously cement the
image of males as being active, independent.
26 35 61
64
MENTAL
Senser
38 26 64
06 05 11
01 01
Phenomenon
Recipient
BEHAVIOURAL
Behaver
24
08 16 24
07
EXISTENTIAL
Existent
Another noticeable result is the
interaction between females and males in
material processes. When males take the
position of Actor, they tend to direct their
action at females, who can be Goals or
Recipients (e.g., ‘till he met a kind girl’ [S2];
‘[The Prince] accompanied her in’ [S6];
‘[He] trying to bring his daughter back to
life’ [S8]; ‘he had found a real princess’
[S4]). In contrast, female Actors are more
02 05 07
4.2.1. Material Process
The most frequently occurring
participant in the material process is Actor,
with 89 featuring male characters and 84
female characters. Seven out of ten stories
see higher occurrences of males as Actor.
Actor is the performer of the process of
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likely to aim their actions at other females
(e.g., ‘[the old Queen] allowed her to rest’
[S4]; ‘The old Queen led the princess to the
bed’ [S4]; ‘The Prince met her at the door’
[S6]).
significant margin in the cognitive group,
roughly 3 times higher than females.
Meanwhile, females enjoy
a
higher
frequency in desideration sub-processes,
particularly with processes like ‘crave’,
‘wish’, ‘hate’ (e.g., But as she craved for
more, one sleepless night she wished the
ultimate wish - she wanted to be like a god.
[S5]).
Another interesting observation
relates to a common process in children’s
stories, the act of becoming the husband and
wife. This act can be linguistically realized
in two ways. It could be put as “A marries
B”, which is a material process with A as
Actor and B as Goal. Otherwise, we could
say “A and B get/are married”, which is a
relational process with A and B as Carriers
(equal participants). What captures the
researchers’ attention is that the material
pattern “A marries B” is more frequently
used, and mostly realized with a male
character as A (Actor) and a female as B
(Goal) (e.g. ‘The King marries a beautiful
princess’ [S1]; ‘The King marries a new
Queen’ [S6]; ‘The Prince took her for his
wife’ [S6]; ‘The Prince then asked if he
could marry the Princess’ [S7]. An
exception is found in S6, where the prince
asked Cinderella: ‘Will you marry me?’.
Here, for the first and only time across ten
stories under investigation, a female is
positioned as the Actor of the process
‘marry’. Nonetheless, it should also be
noticed that this clause is projected by a male
character in which he is the Sayer.
Table 5
Distribution of Subtypes of Mental
Processes
Male Female Total %
Cognition
Perception
15
11
6
21
18
12
13
64
32,81
28,12
18,75
20,31
100
7
Desideration 5
7
Emotion
Total
7
6
38
26
Secondly, the process verbs seem to
be distributed in a gendered manner. Some
processes can be used for both males and
females (such as hear, know, love, realize,
see, think, want); however, many others
accompany males only, such as believe,
decides (x3), find, forget, like, overwhelm,
stun, devastate, alarm (e.g. ‘He was so
overwhelmed by her beauty’ [S7]; ‘The King
is stunned by the little girl’s answers.’ [S3];
‘He was devastated and started crying and
trying to bring his daughter back to life
[S9]’; ‘The dove was alarmed by the voice of
the hunter [S9]’).
4.2.2. Mental, Relational and
Verbal Processes
Mental processes constitute about
16% (15.72%), and male Sensers outnumber
their female counterparts (59.37% vs
40.62%). Phenomenons appear in well under
one-fourth of the mental processes (17.18%)
and only one Recipient is found (‘He only
wanted the rose for his daughter Belle’
[S10]). Some surprising findings arise from
a detailed analysis of the mental processes
(Table 5). Firstly, males have larger
proportions in three sub-processes cognitive,
perceptive and emotive, especially with a
The final revelation is concerned
with the equal treatment of Phenomenon:
Males and females alike are heard, seen,
loved (e.g. ‘heard the princess crying’ [S2];
‘seeing the ant in trouble’, ‘loved his
daughter more than anything’ [S8]; ‘loves
him’ [S10]; ‘saw the beautiful dove sitting on
the tree’ [S9]; ‘loved the beast’ [S10], ‘hears
of the two brothers.’ [S3]).
Relational processes account for
approximately 15% (14.98%), which were
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further analyzed in terms of the three sub-
processes. The findings are shown in Table 6.
There are only three instances of
circumstantial sub-processes, tantamount to
a marginal proportion of 4.91% (e.g., ‘You
are at the Ball?’ [S6]; [two brothers] ‘are off
to the market.’ [S3]; ‘the boy is not there!’
[S1]). Regarding possessive sub-processes,
7 out of 12 Carriers are female; moreover,
from a semantic viewpoint, three of these
female Carriers possess items related to
‘baby’ (e.g., ‘the Queen had a baby girl’;
‘The King’s wife soon has a baby boy’; ‘The
new wife has a baby boy’. [S1]), while the
other instances involve material, concrete
items (e.g., ‘Cinderella instantly had a
lovely dress and shoes’, ‘We must get new
dresses’ [S6]).
by males are varied, ranging from abstract
entities like ‘dream’, ‘idea’, ‘opportunity’
(e.g., ‘One night, the teacher has a dream.’
[S1]; ‘The poor man has no ideas.’[S3]; ‘he
had an opportunity’ [S8]), to concrete,
touchable things like horse or castle (e.g.,
‘The rich brother has a big, strong stallion.’
[S3]; ‘The castle belonged to a hideous
beast’ [S10], ‘The poor brother has a young
mare.’ [S3]). One cannot ignore the different
natures of the concrete items possessed by
the two genders: while males are entitled to
things traditionally attached with long-term,
stable values like cattle - useful for
transportation and farming, or castles -
permanent accommodation and a token of
social status, females are often conjured up
within the image of frivolous, short-valued
possessions like dresses or shoes.
On the contrary, the items possessed
Table 6
Distribution of Subtypes of Relational Processes
Male
Female
No. of occurrence %
Total
No. of occurrence %
No. of occurrence %
4,91
Circumstantial 2
3,27
8,19
1
7
1,63
3
11,47 12
44,26 46
57,37 61
Possessive
Intensive
Total
5
19,67
75,40
100
19
26
31,14 27
42,62 35
The intensive group has the biggest
figure across the table (75.40%). Given its
high percentage, closer analysis was
undertaken with its instances being put into
2 modes: attributive and identifying
(Table 7).
Table 7
Distribution of Two Modes of Relational Processes
Male
Female
No. of occurrence %
41,30 27
Total
No. of occurrence %
No. of occurrence %
Attributive 8
Identifying 11
Total 19
17,39 19
58,69
41,30
100
23,91 9
19,56 19
58,69 46
41,30 27
As regards Attributor, a significant
number of male Carriers are described in a
positive light. For instance, ‘The King is very
happy with the wise little girl.’ [S3]; [He] ‘to
become richer’ [S8]; ‘the Beast was very
good natured and not vicious’ [S10]; ‘I am
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an enchanted prince!’ [S10]. Only four
negative cases were found (‘the Prince was
very unhappy’[S6]; ‘his first son is lost
‘[S1]; ‘The teacher is very sad.’ [S1]; ‘he got
blinded by the shiny new towers of the
palace.’ [S5]).
male characters beg, croak, explain, speak,
thank (e.g., ‘The prince thanked her and
explained that a witch cursed him’ [S1]).
Meanwhile, only female characters admit,
answer, argue (x 5), reply, mock, question,
curse, scream (e.g.: ‘The stepsisters mocked
her’ [S6], ‘The Queen questioned the
Princess’ [S4]; [They] screamed [S6]). That
the process ‘curse’ is female-only speaks
volumes about the unbalanced choice of
gender for certain characters: the evil,
insidious powers are mostly represented by
witches (females) rather than wizards
(males).
This favorable representation of
male characters throws female portrayal into
sharp relief: The numbers of positive and
negative words for females are roughly
equal. Here are some examples of positive
and negative portrayal of females:
Negative: ‘his wife wasn’t happy at
all.’[S5]; ‘she was forever indebted to the
dove’ [9]; ‘the wicked fairy in disguise’ [S7];
‘they were always terrible to poor
Cinderella’ [S6]; ‘who was mean and
wicked but very powerful’ [S7]
4.2.3. Behavioral and Existential
Processes
Only 24 instances of behavioral
process are found, accounting for merely 6%
(5.89%). The number of female Behavers
double that of males (16 against 8). Small as
the number of instances is, further analysis
of behavioral processes does yield
unexpected outcomes. While both males and
females ‘cry’, ‘die’, ‘sleep’ and ‘smile’,
other behavioral processes are exclusively
used for one gender. Only males ‘look’ and
‘kiss’ (e.g., ‘he kissed her gently’ [S7]; ‘the
teacher looks back’ [S1]), whereas ‘laugh’
and ‘wake up’ are solely found with female
Behavers (e.g., ‘You are at the Ball? Don't
make us laugh’ [S6]). This finding certainly
provides some food for thought; for
example, one may wonder why the process
of ‘kiss’, which involves high levels of
agency on the part of the doer, is solely
assigned to a male Behaver. Another
interesting result is that only one instance of
male ‘crying’ is found, while this figure for
females amounts to 5. For instance,
Positive: ‘She was like a god.’ [S5];
‘She looked wonderful!’ [S6]; ‘she was
delighted to see it.’ [S9]; ‘The Stepmother
and the two Stepsisters were so excited.’
[S6]; ‘We get new dresses and look our very
best’ [S6]
A redeeming point is the values
attached to both genders are mostly positive.
For instance: ‘She became the emperor and
soon enough, the pope’ [S5]; ‘she turned
into a gold statue’ [S8]; ‘The monkey
changes into the King’s older brother.’ [S1];
‘the rat into a coachman’ [S6].
As regards verbal process, the
analysis shows a higher frequency of males
as both Sayer and Receiver, which contrasts
sharply with the common belief that females
are more of a talker. However, the margin is
relatively narrow; therefore, no fundamental
judgement should be made here. A
qualitative analysis points out that both male
and female participants frequently ‘say’,
‘tell’, ‘ask’, ‘call’ or ‘shout’, among which
‘say’ and ‘tell’ (27 and 8 instances
respectively) have the highest frequency and
are equally paired with both genders.
Another finding is that certain processes are
exclusively used for females or males. Only
(1) He was devastated and started crying and
trying to bring his daughter back to life. [S8]
(2)Afrognearbyheardtheprincesscrying. [S1]
(3) She cried thinking the water was too deep
for her to find the golden ball. [S2]
(4) Cinderella sat down and cried. [S6]
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
94
(5) They [the stepsisters] pushed and pulled
and screamed and cried but … [S6]
between male and female characters in the
investigated stories should, therefore, be
seen as a positive outcome. Third, repetitive
instances of word choice, such as ‘crying’
females and males ‘marry’ females, are
some obvious indications of gender
stereotypes embedded deep within the
stories.
(6) She held the Beast and cried. [S10]
Existential process is normally used
at the very beginning of the stories to
introduce characters; as a result, this process
is scarcely featured. The results, however,
point out that more male characters are
introduced this way, even if the males play a
secondary role in the story’s plot. Instances
of existential process at the beginning of the
tales include:
In
terms
of
methodological
implications, this work has reconfirmed the
huge potential of Systemic Functional
Grammar as a tool for discourse analysis.
However, if the researchers applied this
framework to quantitative analysis only, the
results would have been a list of closely-
valued numbers with no significant margins;
therefore, the researchers may have found it
more challenging, or even have failed to
draw any major findings. This is to highlight
the importance of qualitative analysis in the
application of SFG, especially in studies
where the focus is not on making hypotheses
or generalizations, but on examining
whether the presumed problems exist.
(7) Once upon a time, there lived a King. [S1]
(8) Once upon a time, there lived a beautiful
princess. [S2]
(9) Once upon a time there was a prince who
wanted to marry a princess [S4]
(10) Once upon a time, there lived a beautiful
girl called Cinderella that lived [S6]
(11) Once there lived a greedy man in a
small town. [S9]
(12) There once was a merchant who got lost
in a storm… [S10]
This study has also gone some way
towards enhancing our awareness of the
issue of gender representation in children's
literature. It is advisable for teachers to keep
an open eye for any sexist ideologies
subliminally embedded. However, it does
not necessarily entail that stories that carry
gender stereotyping should be avoided
altogether; there are some possible ways to
turn these writings to good use. Learners at
elementary levels can practice English by
retelling a story with the given clues such as
pictures or flashcards, with which the
teacher can make small twists to discard the
gender bias. For example, the princess is
brave and confident (instead of beautiful and
caring); the prince and the princess could get
married (instead of ‘The prince could marry
the princess’), or she held the crying beast
(instead of ‘She held the beast and cried’).
For learners at a higher proficiency level,
besides story telling or acting out activities,
teachers can engage them in a critical
5. Conclusion and Implications
This paper is aimed to contribute to
the research on language and gender with
reference to children literature. Based on
systemic functional grammar as a tool of
discourse analysis, we have a detailed
account of how males and females are
represented in the English well-known
stories for children.
Some noticeable findings are worth
restating here. First, verbal processes have
higher occurrences than mental and
relational processes, which can possibly be
attributed to the nature of children’s stories.
Second, females surpass males in the
Carrier, Behaver and Existent roles. This
result was not anticipated since in some
similar research (e.g., Gharbavi & Mousavi,
2012; Sari, 2011), males were consistently
found to dominate all the Participant roles.
This relatively balanced representation
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
95
Esen, Y. (2007). Sexism in school textbooks prepared
under education reform in Turkey. Journal
for Critical Education Policy Studies, 5(2),
109-115.
discussion of the way the male and female
characters are portrayed in the original
version. Offering learners such a non-
pedagogical goal of examining a social
problem could probably raise their interest
and reduce boredom.
Gharbavi, A., & Mousavi, S. A. (2012). The
application of functional linguistics in
exposing gender bias in Iranian highschool
English textbooks. English Language and
A tangible weakness of this study
lies in the data scale, but such intentional
restriction on the samples did allow the
researchers to thoroughly probe into the
matter on a wider range of levels - text,
clause and word-group. However, future
studies on a larger scale are required since
our findings might not be transferable to
other short stories for children.
Literature
Studies,
2(1),
85-93.
Halliday, M. A. K., & Matthiessen, C. M. I. M.
(2004). An introduction to functional
grammar (3rd ed.). Hodder Arnold.
Helleis, L. D (2004). Differentiation of gender roles
and sex frequency in children’s literature
[Unpublished
Maimonides University.
Lazar, G. (1993). Literature and language teaching:
guide for teachers and trainers.
doctoral
dissertation].
The research is theoretically based
on systemic functional grammar (Halliday &
Matthiessen, 2004), but the in-depth analysis
was carried out exclusively with only the
transitivity system. An analysis of nominal
groups and verbal groups realizing the
processes and the participants from the angle
of Appraisal theory by Martin and White
(2005) may be a very fruitful direction to be
undertaken to capture insights into the
interpersonal meaning in this genre. Besides,
these stories are accompanied with video
footage (readily available on the website
itself) to vividly illustrate the texts; thus,
further studies, which take visual modes into
account, will be needed to shed more light
on the matter of gender representation.
A
Cambridge University Press.
Martin, J. R., & White, P. R. R. (2005). The language
of evaluation: Appraisal in English.
Palgrave Macmillan.
Mathuvi, P. N, Ireri, A. M., Mukuni, D. M., Njagi, A.
M., & Karugu, N. I. (2012). An analysis of
gender displays in selected children picture
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based profiles. Functions of Language, 6(1),
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Appendix: Data Source
selected stories are: 1. The green monkey; 2. The frog prince; 3. The wise little girl story; 4.
The princess and the pea; 5. The fisherman and his wife; 6. Cinderella; 7. Sleeping beauty; 8.
The golden touch; 9. The ant and the dove; 10. Beauty and the beast.
For easier reference, the ten stories are coded from S1 to S10. Their word counts are as
follows:
Table A
Word Counts of Ten Investigated Stories
Story
S1 S2 S3 S4 S5 S6 S7 S8 S9 S10
Word count 268 257 363 303 327 484 399 194 206 232
THỂ HIỆN GIỚI TÍNH TRONG CÁC CÂU CHUYỆN
DÀNH CHO TRẺ EM: PHÂN TÍCH HỆ THỐNG CHUYỂN TÁC
Tôn Nữ Mỹ Nhật1, Hồ Nữ Như Ý2
1. Viện Ngôn ngữ, Ðại học Duy Tân, Ðà Nẵng, Việt Nam
2. Khoa Ngoại ngữ, Trường Đại học Quy Nhơn, Bình Định, Việt Nam
Tóm tắt: Mục đích chính của nghiên cứu là tìm hiểu những đặc điểm của việc thể hiện giới tính
trong các câu chuyện tiếng Anh dành cho trẻ em trên cơ sở phân tích hệ thống chuyển tác - một phần
hiện thực hóa nghĩa ý niệm, trong các hệ thống nghĩa của Ngữ pháp chức năng hệ thống, gắn liền với
tên tuổi của nhà ngôn ngữ học nổi danh thế giới, M.A.K Halliday. Các câu chuyện được thu thập từ
quả nghiên cứu cho thấy tất cả sáu loại quá trình chuyển tác đều góp phần tạo dựng các câu chuyện,
trong đó quá trình vật chất xuất hiện nhiều nhất, tiếp đến là quá trình nói năng, quá trình tinh thần, quá
trình quan hệ, quá trình hành vi và cuối cùng là quá trình tồn tại. Bên cạnh đó, tần suất xuất hiện của
nam và nữ được thể hiện khá đồng đều ở tất cả các quá trình chuyển tác, mặc dù một vài định kiến về
giới tính vẫn còn tồn tại. Đây có thể là một thách thức cho những ai đang cố gắng sử dụng truyện dành
cho trẻ em cho mục đích giáo dục.
Từ khóa: thể hiện giới tính, chuyện kể cho trẻ em, hệ thống chuyển tác, Ngữ pháp chức năng hệ
thống
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