“Các siêu chức năng ngôn ngữ” trong ngôn ngữ học chức năng hệ thống: Khung lí thuyết dùng để giải thích ý nghĩa của ngôn bản trong ngôn cảnh xã hộ
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
1
RESEARCH
“METAFUNCTIONS OFLANGUAGE”
IN SYSTEMIC FUNCTIONALLINGUISTICS:
AFRAMEWORK FOR THE INTERPRETATION
OFMEANING OFTEXT IN SOCIALCONTEXT
Hoang Van Van*
VNU University of Languages and International Studies,
Pham Van Dong, Cau Giay, Hanoi, Vietnam
Received 7 December 2020
Revised 2 February 2021; Accepted 15 July 2021
Abstract: This article is concerned with how “metafunctions of language” is theorized by
M.A.K. Halliday in his Systemic Functional Linguistics (SFL) theory, and how the metafunctional
framework can be used to analyse and interpret the meaning of text in social context. The paper consists
of five sections. Section one introduces the topic of the article. Section two briefly examines the notion
of “functions of language” in formal and non-systemic functional (non-SF) models of language. Section
three explores in some detail the notion of “metafunctions of language” in the SFL model. The study
shows that unlike formal and non-SF models of language, SFL conceptualizes metafunctions of
language not just as “uses of language” but as a fundamental property of language itself. To illustrate
the applicability of the metafunctional framework to the interpretation of meaning of text in social
context, Section four conducts an analysis of two stanzas in the famous Vietnamese poem “Hai sắc hoa
ti-gôn” (Two Colours of Antigone) in terms of experiential, interpersonal, textual, and logical meanings.
Section five provides a résumé of the issues studied in the article, pointing out the advantages of
Halliday’s metafunctional framework. The study aims to contribute to our understanding of language as
a system of metafunctions, opening up vast potential for the application of the SFL model to language
teaching, learning, and research.
Key words: formal and non-SF models, metafunctions of language, SFL, meaning of text in
social context
1. Introduction*
For many people, when asked the
question: “What function does language
have?”, the answer would normally be, “It
has the function of communicating
information”. Communicating information
is perhaps the most visible function of
language that anyone could readily notice.
This way of understanding about the
function of language is not wrong but
incomplete. This is because if understood in
this way it would seem that language has
only one single function. A closer inspection
of any natural language, however, will
reveal that language is “multifunctional”
(Halliday & Hasan, 1989, p. 23). Now, if we
accept the view that language is
multifunctional, the next question that arises
at once will be: “What and how many
* Corresponding author
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
2
functions does language have?” Different
scholars seem to offer different answers to
the question. There are scholars who answer
the question implicitly, integrating functions
of language into their definitions of the
sentence. In contrast, there are other scholars
who address the question explicitly,
identifying specific functions of utterances
which occur in specific situations such as
in theoretical conceptualization and practical
applicability to language teaching, learning,
and research.
2. Functions of Language in Formal and
Non-SF Models
2.1. The Formal Grammar Models
It is often claimed that formal
grammars are concerned only with language
structures, with the syntagmatic axis in de
Saussure’s (1983) formulation. But it is not
quite true. The following definitions of the
sentence taken from various sources by
formal grammarians, both foreign and
indigenous Vietnamese, will somehow serve
to prove the point:
greeting,
offering,
complimenting,
criticizing, thanking, etc.; and there are still
other scholars who attempt to approach the
problem in some general manner,
conceptualizing functions of language
through the general roles they serve in
communication. The rest of the article is
organized as follows. Section 2 will briefly
examine some foremost formal and non-SF
models of functions of language.
Specifically, it will delve into what we
would like to refer to as “the traditional
grammar models”, “the pragmatics model”,
“the Malinowski model”, “the Bühler
model”, “the Jakobson model”, “the Morris
model”, and “the Britton model”. Section 3
will present in some detail how the
metafunctional framework is conceptualized
by the renowned British-born Australian
linguist M.A.K. Halliday in his SFL model.
To illustrate the applicability potential of the
SFL metafunctional framework to the
interpretation of meaning of text in social
context, Section 4 will present an analysis of
some parts of the Vietnamese poem “Hai sắc
hoa ti-gôn” (Two Colours of Antigone).
Section 5 provides a résumé of the issues
discussed, and points out the advantages of
Halliday’s metafunctional framework both
A sentence is a complete unit of
speech which is constructed in
accordance with the grammatical
rules of a language, acting as the
most
important
vehicle
for
structuring, reflecting and conveying
ideas. In the sentence not only is
there an expression of ideas but also
a relationship between the speaker
and reality.1 (Vinagradov, 1954, as
cited in K. T. Nguyễn, 1964, p. 147)
(…) a sentence is a linguistic level
which is grammatically and
semantically complete and is
constructed with an intonation in
accordance with the rules of a
language; it is a means for expressing
and conveying ideas about reality and
about the attitude of the speaker towards
reality.2 (T. P. Hoàng, 1980, p. 19)
1 This passage appears in the Vietnamese original (page 147) as follows:
Câu là một đơn vị hoàn chỉnh của lời nói được hình thành về mặt ngữ pháp theo các quy luật của một ngôn ngữ
nhất định, làm công cụ quan trọng nhất để cấu tạo, biểu hiện và truyền đạt tư tưởng. Trong câu không phải chỉ có
sự truyền đạt về hiện thực mà còn có cả mối quan hệ của người nói và hiện thực.
2 This passage appears in the Vietnamese original (page 19) as follows:
(…) câu là ngữ tuyến được hình thành một cách trọn vẹn về ngữ pháp và về ngữ nghĩa với một ngữ điệu theo các
quy luật của một ngôn ngữ nhất định và phương tiện diễn đạt, biểu hiện tư tưởng về thực tế và về thái độ của người
nói đối với hiện thực.
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
3
A sentence is a linguistic unit which
has an independent grammatical
structure (internal and external) and
“grammatically and semantically complete”,
“independent grammatical structure”,
“grammatical structure”, “made up of one
independent clause”, “terminal intonation”,
we can find the functional features that are
expressed in such phrases as “conveying
ideas about reality”, “communicating
something about reality”, “expressing a
relatively complete thought”, “express an
attitude or opinion about an event or
condition”, and “showing the speaker’s
attitude”. It is clear from the above
definitions of the sentence that formal
grammars do recognise functions of
language. But what seems to be a problem
with these definitions of the sentence is that
functions of language are not explicitly
specified, making it difficult to understand
what they are, what they look like, and, in
particular, how many functions language has.
a
terminal intonation contour,
expressing a relatively complete
thought, and may contain an
evaluation of reality by the speaker
which helps to form and convey
ideas.3 (Diệp, 1987, p. 19)
A simple sentence (emphasis in
original) is one that is made up of
only one independent clause. An
independent clause is formed from a
noun phrase subject that names the
topic of the sentence, and a verb
phrase predicate. If the main verb is
an action verb, the purpose of the
sentence is to describe an action. If it
is a stative verb, the purpose is to
state a description. If the main verb
has a modal, the purpose of the
sentence is to express an attitude or
opinion about an event or condition.
(Wilson, 2007, p. 540)
2.2. The Pragmatics Model
The following natural parent-child
exchange in Vietnamese (field-noted by the
author of this article) would hardly draw a
notice of the formal grammarian, but it
would certainly attract the attention of the
functional grammarian for it would lead to
insights about our abilities to use language.
A father, intent on viewing something in his
iPhone, was interrupted by his four-year-old
son, eager to borrow his father’s iPhone to
view some favourite children’s programmes
on YouTube:
A sentence is a unit of speech whose
grammatical structure conforms to
the laws of the language and which
serves as the chief means of
conveying a thought. A sentence is
not only a means of communicating
something about reality but also a
means of showing the speaker’s
attitude to it. (Kaushanskaya et al.,
2008, p. 264)
Son: Bố cho con mượn [điện
thoại] đi-i-i! (Dad, let me borrow [your
iPhone], please.)
Father: Bố đang xem. (I’m viewing.)
As can be seen from the above
definitions of the sentence, besides the
If we examine closely this simple
exchange in the immediate context in which
grammatical
and
phonological
characteristics that can be observed such as
3 This passage appears in the Vietnamese original (page 5) as follows:
Câu là đơn vị của ngôn ngữ, có cấu tạo ngữ pháp (bên trong và bên ngoài) tự lập và ngữ điệu kết thúc, mang một
tư tưởng tương đối trọn vẹn và có thể kèm theo sự đánh giá hiện thực của người nói, giúp hình thành và biểu hiện,
truyền đạt tư tưởng.
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
4
it occurs, a noticeable fact emerges: the
second speaker – the father – does not seem
to cooperate (in the Gricean sense) with the
first speaker – the son. Looking simply at the
words on the page from the point of view of
formal grammar, however, we can see that
the two utterances in the exchange are
simple sentences; the first is an imperative
sentence which can be analysed in formal
terms as Subject (Bố) + Verb (cho con
mượn) + [Object (điện thoại)] + imperative
particle (đi); and the second is a declarative
one which can be analysed as Subject (Bố) +
Verb (đang xem). Until now, this formal
approach to the analysis of language still
prevails in the academic world and in
primary, secondary, and tertiary classrooms
as well. Is this a sound approach to language
analysis? The normal answer to this question
is “Yes, it is; but inadequate” for it fails to
account for the purposes the two speakers
want to achieve by their utterances. To be
more specific, it fails to account for human
beings’ ability to translate what is
structurally an imperative sentence (the
son’s utterance) into what is functionally a
request and a declarative sentence or a
statement of fact (the father’s response) into
what is functionally a decline of a request.
Nor does it take into account the father’s
ability to make an oblique answer: by stating
that he is viewing, the father refuses the
son’s request to borrow his iPhone. In other
words, there is more to a speaker’s
knowledge of his language than a knowledge
of the structure of the code. A speaker must
know how to use his language; he must
know how to exploit the resources of his
language so that he can make it work for
him. In other words, he must know the
functions of his language (cf. Halliday,
1970, 1973, 1975, 1978). This approach to
the analysis of language affirms the idea that
“A statement, spoken in real life, is never
detached from the situation in which it has
been uttered. For each verbal statement by a
human being has the aim and function of
expressing some thought or feeling actual at
the moment and in that situation”
(Malinowski, 1923, p. 307): when we say
something, we do something (Austin, 1962;
Searle, 1969), and when we say something,
we want to achieve a function or a
(communicative) purpose (Halliday &
Hasan, 1989; Hasan & Perrett, 1994;
Thompson, 2014). This is perhaps one of
greatest achievements pragmatics has
contributed to modern linguistics.
2.3. The Malinowski Model
Malinowski, whose influence on
British functional linguistics is considerable,
represents an anthropological school of
thought in which language played a much
more significant role. His position in British
functional linguistics can in some ways be
likened to that of Boas and Sapir in
American descriptive linguistics in the USA.
Like Boas, Malinowski was convinced that
field work demanded familiarity with the
tribal language. At the same time, he
believed that an understanding of the
language was impossible without constantly
relating it to the culture in which it was
operative. In his famous supplement
(Supplement
I)
to
an
influential
philosophical work of the early nineteen
twenties by Ogden and Richards (1923)
which explored the relations between
language, thought, and reality entitled The
Meaning of Meaning: A Study of the
Influence of Language upon Thought and of
the Science of Symbolism, Malinowski
(1923) laid the foundation for research on
functions of language. His eloquent
argument for the close relationship between
language and culture can be seen in the
following quotes:
“… language is essentially rooted in
the reality of the culture, the tribal
life and customs of the people, and
… it cannot be explained without
constant reference to these broader
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
5
contexts of verbal utterance” (1923,
p. 305).
magic and the use of spells. Malinowski’s
model has influenced greatly the London
school of linguistics, in particular on Firth’s
(1957, 1968) ideas of language, and later on
Halliday’s Systemic Functional Linguistics
model.
“[An utterance] becomes only
intelligible when it is placed within
its context of situation”. … the
situation in which words are uttered
can never be passed over as
2.4. The Bühler Model
irrelevant
expression” (1923, p. 306).
to
the
linguistic
From another perspective, based on
Plato’s conceptual framework of rhetorical
grammar which distinguished first person,
second person, and third person, the famous
German-born Austrian psychologist and
linguist, Carls Bühler (1934) developed a
functional model of communication known
as the “organon model”. In this model,
Bühler identified three functions of language
which are referred to respectively as expressive
function (Ausdrucksfunktion), conative
“A statement, spoken in real life, is
never detached from the situation in
which it has been uttered. For each
verbal statement by a human being
has the aim and function of
expressing some thought or feeling
actual at that moment and in that
situation” (1923, p. 307).
function (Appellfunktion, i.e. appealing
Approaching language from the
ethnographer’s perspective and using
context of situation as the central concept,
Malinowski was able to identify four main
uses (functions) of primitive language. The
first use of language is speech of action –
speech used by fishermen during a fishing
expedition in the Trobriand Islands where
Malinowski did field work. The second is
narrative: “incidents are told or discussed
among a group of listeners, … to create new
bonds and sentiments by the emotional
appeal of the words”. Malinowski claimed
that narrative is primarily a mode of social
action rather than a mere reflection of
thought. A narrative can be either directly or
indirectly associated with one situation to
which it refers. The third use of language is
phatic communion. It is “a type of speech in
which ties of union are created by a mere
exchange of words” (op.cit., p. 315).
Malinowski claimed that words in phatic
communion are used to fulfil a social
function and “language appears to use in this
function not as an instrument of reflection
but as a mode of action” (op.cit., p. 315). The
fourth use of language in Malinowski’s
model is the ritual use of words in word
function),
function (Darstellungsfunktion).
and
representational
The
expressive function, according to Bühler
(1934), is language that is oriented towards
the self, the speaker; the conative function
being language that is oriented to the
addressee; and the representational function
being language that is oriented towards the
rest of reality. Bühler’s organon model was
widely accepted by scholars of the Prague
school of linguistics (Halliday & Hasan,
1989). In particular, his organon model was
adopted and expanded by the famous
Russian-born American linguist Roman
Jakobson.
2.5. The Jakobson Model
Jakobson
(1960),
based
a
classification of functions on the model of
the communication process in which a
speaker and a hearer in a speech event (for
example,
a
conversation, discussion)
exchange messages, developed a model of
functions of language which distinguishes
six attendant elements or factors of
communication, that are necessary for
communication to occur: (1) context, (2)
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
6
addresser (sender), (3) addressee (receiver),
(4) contact, (5) common code, and (6)
message. Each factor is the focal point of a
function, that operates between the message
and the attendant factor. Briefly, Jakobson’s
model of six functions of language are the
following, in order:
2.6. The Britton Model
So far, we have outlined several
models of language functions which are
concerned primarily with spoken language.
We now turn our attention to examining a
model of language functions that is
concerned mainly with the functions of the
written word – the Britton model. As with
the Jakobson model, the Britton model drew
on the Bühler model, but it was developed to
serve language teaching and learning
purposes.
1. The
referential
function,
a
predominant function of language, is
oriented towards the context of the
speech event. It relates to the ability
of language to impart ideas about a
situation, a thing or a mental state as
in the statement The earth moves
around the sun.
In a lucid and succinct book entitled
Language and Learning, the British
educationalist James Britton (1993), in the
course of classifying 2122 pieces of writing
from 500 boys and girls aged from eleven to
eighteen, proposed his own model of three
language functions which are referred to
respectively as expressive function,
transactional function, and poetic function.
According to Britton (1993), the expressive
function (expressing personal attitudes,
feelings, reasons, reactions, etc.) is the
starting point in one’s linguistic experience.
It is the neutral ground from which one
moves out to meet the demands made by
larger language needs. When the needs of
the moment call for action to be taken, the
expressive function gives way to the
transactional function which is concerned
with one’s use of language to do something.
In the transactional function, communicators
participate in informing, analyzing,
planning, teaching, arguing, persuading, or
any other kinds of activity where a practical
outcome is to be achieved. And when the
interest focuses on the form and shape of a
linguistic experience for its own sake, rather
than on what is accomplished, we find the
expressive function shifting ground to the
poetic function. Here the role of the writer is
more that of spectator. By standing detached
from a linguistic experience, the spectator
can evaluate it in terms of the larger value
systems it holds for him. Thus released from
2. The emotive or expressive function
highlights the addresser’s feelings as
in the interjection Oh!
3. The conative or directive function
focuses on the person addressed.
This
function
is
expressed
grammatically as vocative (calling
the attention of the person spoken to
such as David in David, come here
please.)
(requesting
and
or
the
requiring
imperative
the
addressee to perform some action
such as Hurry up!).
4. The phatic function indicates that the
addressee is well-disposed and
favourably inclined toward the
addressee. This function serves to
establish, prolong or discontinue
communication as in Hello, how are
you?
5. The poetic function centres on the
message itself. It is the most
important function in poetry. It
relates to the verbal art and the
aesthetics of language.
6. The metalingual function focuses on
the linguistic code – the use of
language to discuss language itself.
This function is used to establish
mutual agreement on the code; for
example, What do you mean by
“social context”?
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
7
the need to achieve an outcome or interact
with another participant, the writer as
spectator can be free to attend to the
messages can be augmented with verbal
confirmation of our feeling; for example, a
yelp of pain is closely followed by a verbal
signal that “I am hurt” or a roar of anger is
accompanied by the message “I am furious”.
Exploratory talking is a third language
function. This is “talking for the sake of
talking, aesthetic talking, or play talking”.
And groom talking refers to “the
meaningless, polite chatter of social
occasions”; for example, “Nice weather
today, isn’t it?” or “Have you read any good
books lately?” Morris (1999, p. 204) noted
that grooming talking is “not concerned with
the exchange of important ideas or
information, nor does it reveal the true mood
of the speaker, nor is it aesthetically
pleasing. Its function is to reinforce the
greeting smile and to maintain the social
togetherness. It is “the most important
substitute we have for social grooming”
(Morris, 1999, p. 206); it is used to oil the
social process and to avoid friction (Halliday
linguistic
experience
as
linguistic
experience: the forms and structures of
individual utterances and the discourse as a
whole. The language expressed by the poetic
function might also be called “verbal art”.
Britton maintained that for the child
beginning to write, the expressive function is
the natural starting point. It is the dominant
function in our daily interchanges with
others. It is a neutral point from which a
process of increasing differentiation would
take place towards the utility of the
transactional mode on the one hand or the
self-consciously formal mode of the poetic
on the other. (For more detail about these
three language functions in the Britton model,
see Britton, 1993: Chapters 1, 3, and 4).
2.7. The Morris Model
In his entertaining book entitled The
Naked Ape, Morris (1999) studied language
functions from an animal behaviourist’s
point of view. He recognized four main
language functions: information talking,
mood talking, exploratory talking, and
grooming talking. Information talking,
according to Morris (1999, p. 203), is the
method of communication which enabled
primitive people to refer to the objects in the
environment and also to the past and the
future as well as to the present. This is the
most important human communication
function of language for it involves a
collaborative communication exchange
between speaker and listener. Morris
suggests that the function of information
talking seems to appear first, although in the
child’s history of development it appears last
of all. Information talking has evolved, but it
doesn’t stop there. It has added a number of
additional functions, one of which is mood
speaking – a form of speech that expresses a
speaker’s mood and attitude. Mood speaking
can be non-verbal mood signals; but these
&
Hasan, 1989, p. 16) so that
communicators can carry out their
conversations naturally and smoothly.
2.8. Summary
The conceptualization of language
functions in formal and non-SF models of
language presented above allow the
following remarks:
First, although these models seem to
be differently formulated, and each one uses
different terminologies, they all have the
following features in common: they all
recognize that language is multifunctional,
reflected in three aspects (i) language is used
to talk about things (informative, narrative,
representational, expressive); (ii) language
is used for interactional purposes “between
speaker and listener, writer and reader”,
expressing the self and influencing others
(expressive, mood, conative, active); and
(iii) language is used to express imaginative
or aesthetic function (see Halliday & Hasan,
1989).
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
8
Secondly, the demands of human
beings for language as speakers or writers,
listeners or readers are diverse. Therefore,
what functions and how many functions
language has depend largely on the
perspective of the researcher. What is
presented above shows that the problem of
functions of language is approached from
different perspectives: ethnographical,
kind of conceptual framework in non-
linguistic terms, looking at language from
the outside, and using this for interpreting
the different ways in which people use
language. And as Halliday & Hasan (1989,
p. 17) have aptly put it, “In all these
interpretations of functions of language,
function equals use: the concept of function
is synonymous with that of use”. This way
of conceptualization of language functions is
unable to characterize language as a system.
“For a theory to be functional in the proper
sense of the word, the term function needs to
be more abstract than function equated with
specific language use. It is only when
functions are identified at a high level of
abstraction that they can be recognised as
essential to all uses of language, becoming
the property of the entire linguistic social
process as such, that they can be viewed as
integral to the system of language, serving to
explain the nature of its internal structure by
relation to its social uses” (Hasan & Perrett,
1994, p. 183). With these remarks, we now
turn to explore the notion of “metafunctions of
language” in Systemic Functional Linguistics.
psychological,
communicational,
educational, biological, and so on.
Therefore, it would not be surprising to see
that if the researcher looks at the problem of
language functions from the point of view of
ethnography, and is more interested in
linguistic functions, then he or she will adopt
the functions of language as recognized in
the Malinowski model. In contrast, if the
researcher approaches the problem of
language functions from the psychological
point of view, and views language as being
used to serve the life of the individual in the
community, he or she will arrive at
formulating a model of language functions
like the Bühler organon model. If the
researcher approaches the problem of
language functions from the point of view of
the communication process in which a
speaker and hearer in a speech event
exchange messages, he or she will arrive at
the Jakobson model. If the researcher is
interested in the problem of language
functions from the educational perspective,
then he or she must classify language
functions into the transactional, the
expressive, and poetic functions as they are
detailed in the Britton model. And if the
researcher wishes to tackle the problem of
language functions from the point of view of
the evolution of communication in biology,
then he or she will adopt the Morris model,
3. The SFL Model
Among the scholars who study
language functions, Halliday is perhaps the
foremost writer. He has developed a world
famous linguistic theory known as Systemic
Functional Linguistics in which he
incorporates the social dimension into his
linguistic theory, connecting children’s
functions of language with adults’
generalized functions of language. It is
precisely his model of functions of language
that we will consider below.
3.1. Children’s Functions of Language
classifying
information
exploratory talking, and grooming talking.
language
talking,
functions into
mood talking,
In his studies of children’s language
development, Halliday (1973, 1975) made
two important observations. First, young
children’s proto-languages are semiotic
systems of the primary kind: they are
systems with two levels only – content and
And thirdly, what seems to be a
problem with most of such above models is
that they were essentially constructed on a
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
9
expression – and lack a level of
lexicogrammar. Secondly, children early on
acquire a wide range of functions, but
typically each of their utterances serves only
one function. For Halliday, to say that a child
knows language is to say that he or she
knows how to mean, how to use language to
perform these functions. Halliday (1975,
pp. 18-20) recognized seven distinct functions
early in a child language development:
(a child says about her elder brother
Jim: Naughty, naughty, boydy,
naughty Jimy.
7. Informative
(the
“I’ve
got
something to tell you” function):
language used to communicate
information to someone who does
not
information,
already
possess
to
that
express
propositions and to convey a
message which makes reference to
the world surrounding the child.
Example: Daddy has gone to work.
1. Instrumental (the “I want” function
of language): language as a means
by which the child satisfies his
material needs or requirements.
Example: Mum, I want that cake.
2. Regulatory (the “do as I tell you”
function): language used to
influence and control the behaviour
of others. Example: Let’s play this
game.
3. Interactional (the “me and you”
function): language as a means of
maintaining ties with other people.
It reveals the child’s awareness of
others and his relation to them.
Example: the greeting, Hello, dad,
and also the response, Yes.
4. Personal (the “here I come”
function): language for expressing
one’s own individuality and for
developing awareness of the self
and of personality. Example: Yeah.
They are mine, not yours.
5. Heuristic (the “tell me why”
function): language as a means of
exploration, both inside and outside
oneself; language used to discover
and learn about things. Example:
Daddy. What are roots used for?
6. Imaginative (the “let’s pretend”
function): language used to create
one’s own world or environment,
including meaningless sounds,
rhyming and other linguistic play.
“Story’ and “pretend” and “make
up” become elements of the
imaginative function. Example:
According to Halliday (1975),
children are motivated to develop language
because it serves certain purposes or
functions for them. The first four functions
help them to satisfy physical, emotional and
social needs. The next three functions help
them to come to terms with their environment,
to ensure their survival and to take their place
in interactional communication. Halliday
(1975, p. 21) noted: “The young child has a
very clear notion of the functions of his own
linguistic system. He knows very well what
he can do with it. But what he can do with it
is not at all the same thing as what the adult
does, still less as what he thinks he does,
with his linguistic system”.
3.2. Grown-Ups’ Generalized Functions of
Language
Halliday (1975) claims that as
children move into the mother tongue, the
seven functions mentioned above give way
to the generalized functions of language. In
this process, in between the two levels of the
simple proto-language system: content and
expression, an additional level of content is
inserted. Instead of one level in the content
plane, adult language now has two:
semantics and lexicogrammar. The
expression plane now also consists of two
levels: phonology and phonetics. These
planes of content and expression of adult
language in relation to social context can be
presented in Figure 1 below:
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
10
Figure 1
Levels of Language in Relation to Social Context (V. V. Hoang, 2018b, p. 4)
Figure 1 shows that adult language is
multifunctional. Halliday (1978 and
elsewhere) claims that every utterance does
several things at once, in an integral way. He
recognizes three generalized functions of
language which he calls “metafunctions”:
reflections. Human language acts as
resources for the construal of classes of
things (e.g. “autumn”, “twilight”, “petal”);
qualities (e.g. “beautiful”, “lovely”,
“good”); quantities (e.g. “one”, “each”,
“some”); doings and happenings (e.g.
“pick”, “dye”, “wait”); behavings (e.g.
“laugh”, “cry”, “kiss”); knowing, feeling,
and thinking (e.g. “understand”, “love”,
“think”); sayings (e.g. “say”, “tell”, “show”,
“inform”); being, having and being at (e.g.
“be”, “have”, “belong”); and existing (e.g.
“appear”, “remain”) which imply certain
participants and incumbent circumstances.
These language resources help speakers to
(1)
ideational
metafunction,
(2)
interpersonal metafunction, and (3) textual
metafunction. Since detailed discussions of
these are available (e.g. see Halliday, 1970,
1978, 1985, 1998; Martin, 1992;
Matthiessen, 1992, 1995; Halliday & Hasan,
1989; Hasan, 2011; Halliday & Matthiessen,
2014; V. V. Hoang, 2012, 2018a, 2018b),
only a brief account of each metafunction is
provided here.
construct
complex
things
into
groups/phrases (e.g. “a beautiful autumn”,
“in the glow of the afternoon sunlight”), and
groups/phrases into clauses (e.g. “A
beautiful Autumn has come”). The logical
The first metafunction
–
the
ideational – has two components: the
experiential and the logical. The experiential
metafunction of language is the resource
speakers/writers draw on to construe their
experience of the world – both the real world
of physical phenomena and the inner world
of their consciousness, feelings, beliefs, and
metafunction
is
the
resource
speakers/writers draw on to construe and
create relations of phenomena and events
such as “x and y” (e.g. “you and I”), “x or y”
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
11
(e.g. “trick or cheat”), “If x [then] y” (e.g.
“(If you) drink to me with thine eyes, and
(then) I will pledge with mine” (Ben Jonson,
as cited in Halliday & Hasan, 1989, p. 21),
“say that x” (e.g. “She said that he was a
good teacher”, “think that x” (e.g. “He
thought that she would come”), and so on.
Rheme in the preceding message becomes
Theme in the succeeding message). In other
words, the textual metafunction is concerned
with creating relevance between the parts of
what is being said/written, and between the
text and the context of situation, “breathing
life into language and giving it its sense of
realness, cohesion and texture” (Halliday,
1998: xiii; see also Fries, 1981; Halliday &
Hasan, 1989; Martin & Rose, 2013; V. V.
Hoang, 2018a, 2018b).
The second metafunction – the
interpersonal – is the resource speakers/
writers draw on to establish and maintain
social relations: for the expression of social
roles, which include the communication
roles created by language itself, the role of
questioner and respondent which speakers
take on by asking and answering questions
(e.g. “Is it hot in Autumn in your country?”,
“No, it isn’t.”); and also for getting things
done (e.g. “Get out here, please!”). Further,
language acts as a potential for the
expression of their subjectivity: their
expression of probability, obligation, and
commitment; their attitudes and evaluation
(e.g. “I must go.”, “He should have told me
about it.”).
These three metafunctions – the
ideational, the interpersonal, and the textual
–
work
utterances/clauses, giving rise to three kinds
of downward linguistic structure:
together
in
individual
transitivity, mood, and theme. They are
related upwards to three aspects of speech
situation which influence the way they are
realized in particular instances (see Halliday,
1978): field of discourse, tenor of discourse,
and mode of discourse. The field of
discourse refers to what is going on in the
particular speech situation. It is therefore
associated with the ideational metafunction
realized in the grammatical patterns and
vocabulary denoting “who does what to
whom”. The tenor of discourse signifies the
role relationships of the people involved in
the speech situation. It is therefore
The third metafunction of language –
the textual – is the resource speakers/writers
draw on to construct “texts” or connected
passages of discourse that is situationally
relevant (Halliday, 1970, 1978; Halliday &
Hasan, 1976; Martin & Rose, 2013). It
enables listeners/readers to distinguish a text
from a random set of clauses or sentences. In
any social use of language speakers/writers
indicate what information can be taken as
Given and what information can be New,
what is point of departure – the Theme and
what can be the exposition of the point of
departure – the Rheme. One aspect of the
textual metafunction is concerned with how
the various parts of the discourse relate to
each other coherently and cohesively: with
whether information is presented as
retrievable from what has been already been
said (i.e. Rheme in the preceding message
becomes theme in the succeeding message)
is or whether more information is to be
presented in the on-going discourse (i.e.
associated
with
the
interpersonal
metafunction realized in the mood
(including modality) patterns. And the mode
of discourse points to the channel of
communication (whether written or spoken
or some combination of the two). It is
therefore associated with the textual
metafunction realized in the theme and
information patterns. Taken together, field
of discourse, tenor of discourse, and mode of
discourse are the social variables which
comprise the “register” of a text (Halliday et al.,
1964; Halliday, 1978; Halliday & Hasan,
1989; see also Matthiessen et al., 2010)
whose job is to provide the framework for
the selection of meanings of the text realized
in structural forms.
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
12
3.3. Metafunctions of Language and the
Interpretation of Meaning of Text in Social
Context
patterns to uncover logico-semantic
meanings (see Appendix 2); and (2) to
analyse the clauses in terms of transitivity,
mood, and theme to uncover the ideational,
interpersonal, and textual meanings. The
notational conventions used for the analysis of
the text portions are provided in Appendix 3.
“Practice without theory is blind, but
theory without practice is empty” (Neubert,
2000, p. 26). We need to illustrate the SFL
model of metafunctions at work to see how
it can be applied to the interpretation of the
meaning of text in social context. To do this,
we have chosen the poem “Hai sắc hoa ti-
gôn” (Two Colours of Antigone). There are
three reasons for our choice of the poem.
First, “Hai sắc hoa ti-gôn” is a famous
Vietnamese poem written by an anonymous
Vietnamese poetess4 (known to readers only
by the acronym “TTKh”). Secondly, the
poem is written in a simple narrative style
whose meanings can be uncovered through
linguistic analysis. And thirdly, by using the
SFL metafunctional framework for analysis,
we can uncover not only the meaning of the
poem but also the metafunctional basis of
language. The poem consists of eleven
stanzas (see Appendix 1). For illustration
purposes, however, only the first and a
second part of the third stanzas are selected
for analysis. We are aware that there may be
the danger that some accidental features that
are the property of a particular instance of
language (the two portions of the poem in
this case) will be taken as if they are
representative features of grammar in
general. But as it will stand, the features that
are displayed in the two text portions of the
poem can only be accidental in relation to
the linguistic system as a whole. So in
interpreting them, we will try to relate what
we will say about them in general categories
that are found in the grammar of the
language. We will undertake a two-phase
operation: (i) to analyse the two text portions
into clause complexes and clause simplexes
(“clauses” for short), and their combining
To assist English readers who have
limited or no knowledge of Vietnamese,
wherever needed, the presentation of each
clause is organised into four lines: the first
line, which is italicised, provides the
Vietnamese wording; the second line gives
English inter-glosses; the third line provides
the configuration of functions of the
elements in the clause, and these functions
appear in bold type; and the fourth line
provides an English semantic translation. It
should be noted that as discourse unfolds,
the three metafunctions or strands of
meaning are interwoven with each other in a
very dense fabric, so that they can achieve
all three social metafunctions of language
simultaneously (Martin & Rose, 2013, p. 7).
As a way of start, we will begin by
examining the experiential metafunction;
then we will deal with the interpersonal
metafunction, the textual metafunction, and
finally the logical metafunction. One more
thing that should be noted is that what we are
trying to do here is not as a piece of literary
commentary but rather as a linguistic
exercise in which we identify features that
illustrate the general point: that language is
metafunctionally organised and that the
metafunctional framework can be applied to
interpreting the meaning of text in social
context.
3.3.1.
The
Experiential
Metafunction
Let us consider the first stanza of the
poem:
4 Whether the writer who composed this poem was a male or a female is unclear. Based on evidence in the text,
however, we can guess that the writer was a woman.
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
13
||| (1) Một mùa thu trước mỗi hoàng hôn
Nhặt cánh hoa rơi || (2)chẳng thấy buồn ||
(3) Nhuộm ánh nắng tà qua mái tóc ||
(4) Tôi chờ || (5) người đến với yêu đương.|||
of five clauses. Analyzing the stanza from
the point of view of the experiential
metafunction (that is, analyzing the content
of the stanza in terms of the experience of the
outer as well as the inner world of the
poetess’ consciousness through process
types such as material, behavioral, mental,
mental, relational, and existential process;
their corresponding participants and
incumbent circumstances) gives us the result
presented in Figure 2 below.5
The analysis shows that the stanza is
of a seven-beat metre style, a fairly common
style in Vietnamese poetry. It is presented in
four lines, and according to the convention
of traditional layout, each line begins with a
capital letter. Structurally, the entire stanza
constitutes a clause complex which consists
Figure 2
Experiential Meaning of the Stanza
(1)
Một mùa thu trước mỗi
one autumn past each
hoàng hôn
Nhặt
cánh hoa
rơi
twilight
pick
flower petal fall
Circumstance: time 1 Circumstance: time 2 Process: material Goal
At each twilight in a last autumn, (when I picked) picking up a fallen flower
(2)
chẳng thấy
not find/feel
buồn
sad
Process: relational Attribute
(I did) not feel sad.
(3)
Nhuộm
ánh nắng tà
qua
mái tóc
dye
sunlight afternoon through
hair
Process: material Goal
(I dyed) Dyeing the sunlight through the hair/filtering my hair in the glow of the
afternoon sun.
(4)
chờ
wait
Circumstance: location
Tôi
I
Actor Process: material
I waited
(5)
người đến
với
yêu đương
person come
with
love
Actor Process: material Circumstance: accompaniment
for him to come with (his) love.
5 The capitalized letters of the stanza are retained in our analysis.
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
14
As the analysis in Figure 2 indicates,
clause (1) begins with two nominal groups
Một mùa thu trước (At each twilight) and
mỗi hoàng hôn (in a last Autumn). These
nominal elements set local contexts, locating
the points of time for the actions and events
not only in clause (1), but perhaps in the
remaining clauses of the stanza as well (but
in our analysis, they are treated as belonging
to the first clause). In the SFL model, these
nominal groups are assigned the function of
Circumstance of time. Following these
circumstantial elements is the verb Nhặt
(pick). Considering Nhặt alone from the
point of view of the experiential meaning,
we can interpret it as a type of process, or
more specifically, a type of physical action
that is tangible when it is performed in real-
life situations. This action element of the
clause takes on the function of Process:
material. Following this material process
Nhặt is the nominal group cánh hoa rơi
(fallen flower), a concrete object that can be
observed in real life consisting of the noun
cánh hoa and the adjective rơi6. This
nominal group represents the range affected
by the action of the verb Nhặt or the target
that the action Nhặt directs at. This element
of the clause, therefore, is assigned the
function of Goal.
indicating “negative emotion” (P. Hoang et al.,
2002, p. 90) or “an inner state of emotion”
(V. V. Hoang, 2012, p. 248) of the Carrier
(tôi – which is not present in the clause). It
therefore can be assigned the function of
Attribute.
Clause (3) has the experiential
structure similar to clause (1). Like clause (1),
clause (3) starts with the verb Nhuộm
(literally, “dye”). Like Nhặt in clause (2),
Nhuộm is a type of tangible physical action,
and is therefore assigned the function of
Process: material. Following Nhuộm is the
nominal group ánh nắng tà (the glow of the
afternoon sunlight), a kind of observable
thing, but not a palpable thing like cánh hoa
rơi in clause (1). In the SFL model, this
observable but not palpable ánh nắng tà is
assigned the function of Goal. Following
ánh nắng tà is the prepositional phrase qua
mái tóc (literally, “through the hair”) – the
element indicating the location through
which the Goal mái tóc is dyed in the sun,
and is therefore assigned the function of
Circumstance: place. But unlike clause (1)
where the two circumstantial elements Một
mùa thu trước and mỗi hoàng hôn are placed
at the beginning of the clause to highlight
their thematic prominence, in clause (3) the
circumstantial element qua mái tóc is placed
at the end of the clause to highlight its
rhematic information, and thus giving
thematic prominence to the action verb
Nhuộm (for more detail on thematic and
rhematic information of the Vietnamese
clause, see V. V. Hoang, 2007).
Clause (2) has a process type which
is quite different from clause (1). It begins
with the verb thấy (see/feel) – a process
which does not express material action like
Nhặt but some kind of perceptive mental
activity realized in the structure of a
relational process (tôi) chẳng thấy buồn (I
didn’t feel sad). But unlike relational process
of the type “x is (a)” or “x has (attribute a)”,
thấy construes a relational process that
expresses the inner emotional state of the
poetess which can be assigned the function
of Process: relational: inner emotion.
Following thấy is buồn (sad), an adjective
Clause (4) begins with the personal
pronoun Tôi. Relative to the process chờ, Tôi
can be interpreted as the causer or instigator
of the action chờ, and therefore can be
assigned the function of Actor. Moving back
to clauses (1), (2) and (3) of the stanza, we
can see that Tôi is not just the element that
6 It should be noted that although rơi is normally treated (in dictionaries) as a lexical verb, in this particular context
it can be interpreted as an adjective post-modifying the noun cánh hoa.
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
15
causes the transitive action of chờ in clause
(4) chờ người, it is also the agent that causes
the transitive action of Nhặt in clause (1)
Nhặt cánh hoa rơi, the transitive action of
Nhuộm in clause (3) Nhuộm ánh nắng tà, and
the element carrying the attribute chẳng thấy
buồn (not feeling sad) in clause (2).
Following the personal pronoun Tôi –
indicating the poetess – is the verb chờ, a
transitive action, and is therefore assigned
the function of Process: material. Unlike the
transitive material processes in clauses (1)
and (3) where the process stops at the Goal
cánh hoa rơi and ánh nắng tà, in clause (4)
người – indicating the poetess’s ex-lover –
which is Goal takes part in the next clause:
clause (5), functioning as Actor involving in
the intransitive action process đến whose
function is Process: material. So, here we
have two clauses: Tôi chờ người and (người)
đến với yêu đương as shown in clauses (4)
and (5); and unlike traditional grammar
analysis where người đến với yêu đương is
normally assigned the function of object, in
the SFL model, it is treated as a separate
dependent clause – clause (5).
The experiential meaning of the first
stanza of the poem realized in transitivity
structures can be summarized as follows:
• clause (1) has the configuration of
Circumstance of time 1 (Một mùa thu
trước) ^ Circumstance of time 2 (mỗi
hoàng hôn) ^ Process: material (Nhặt)
^ (affected) Goal (cánh hoa rơi);
• clause (2): Process: material (chẳng
thấy) ^ Attribute (buồn);
• clause (3): Process: material
(Nhuộm) ^ (affected) Goal (ánh nắng
tà) ^ Circumstance of location (qua
mái tóc);
• clause (4): Actor (Tôi) ^ Process:
material (chờ) ^ Goal (người);
• clause (5): Actor (người) ^ Process:
material (đến) ^ Circumstance of
accompaniment (với yêu đương).
3.3.2.
The
Interpersonal
Metafunction
We are now analyzing the stanza
from the point of view of the interpersonal
metafunction, considering it as a social
interactional process in which the
communicators take on one of the two basic
functions: “giving” or “demanding”. The
function of giving includes “giving
information” realized through a declarative
clause or “giving goods-&-services”
realized through an interrogative clause; and
the function of demanding includes
“demanding information” realized also
through an interrogative clause or
“demanding goods-&-services” realized
through an imperative clause. (For more
detail about the nature of the interactive
language and the four concepts of “giving”,
“demanding”, “information”, and “goods-
&-services”, see Halliday (1998, pp. 173-77;
Halliday & Matthiessen, 2014, pp. 134-39).
Analyzing the stanza for interpersonal
meaning (that is, analyzing the clauses of the
stanza in terms of speech functions of the
clauses; and their corresponding functions of
the elements in terms of Subject, Predicator,
Clause (5) starts with the personal
pronoun người. Considered in relation to đến
(come), người can be interpreted as the
causer of the action đến, and can therefore be
assigned the function of Actor. This element
is followed by the verb đến, a tangible
intransitive material process, and can be
assigned the function of Process: material.
This material process is followed by the
prepositional phrase với yêu đương (with
love) which in this context can be assigned
the function of Circumstance, but unlike the
two Circumstances of time in clause (1) and
the Circumstance of place in clause (3), với
yêu đương is a kind of circumstance which
is encoded as if it were a companion of the
Actor người. It therefore can be assigned the
function of Circumstance: accompaniment:
(Tôi chờ) người đến với yêu đương can be
reworded as Người và sự yêu đương đến (với
tôi).
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
16
Complement, and Adjunct) gives us the
Figure 3
result presented in Figure 3 below.
Interpersonal Meaning of the Stanza
(1) [Giving information: declarative mood]
Một mùa thu trước mỗi hoàng hôn Nhặt
cánh hoa
flower petal fall
Predicator Complement
rơi
one autumn past
each twilight
pick
Adjunct 1
Adjunct 2
At each twilight in a last Autumn, (when I picked) picking up a fallen flower
(2) [Giving information: declarative mood]
chẳng thấy
buồn
not
find/feel sad
Predicator
Complement
(I did) not feel sad.
(3) [Giving information: declarative mood]
ánh nắng tà qua mái tóc
sunlight afternoon through hair
Adjunct
(I dyed) Dyeing the sunlight through the hair/filtering my hair in the glow of the
afternoon sun.
(4) [Giving information: declarative mood]
Tôi chờ
wait
Nhuộm
dye
Predicator Complement
(5) [Giving information: declarative mood]
người
đến
với
yêu đương
I
person
come
with love
Subject Predicator
Subject Predicator Adjunct
I waited
for him to come with (his) love.
The analysis in Figure 3 shows that
poetess takes on the role of one giving the
information, describing and asserting the
events that happened to her in the past
realized in Một mùa thu trước and mỗi hoàng
hôn, and the readers (probably including the
poetess’ ex-lover) are assigned the role of
ones receiving the information. Secondly, of
the five information-giving clauses, four are
realized as declarative: positive (clauses 1, 3,
4, and 5), and one (clause 2) is realized as a
declarative: negative.
there is another type of meaning encoded in
the stanza – the interpersonal or interactive
meaning between communicators (in this
case, between the poetess and readers).
While in the experiential domain, language
has reflective function, in the interpersonal
domain, language has enacting function, that
of “establishing and maintaining social
relations” (Halliday, 1970, p. 143). Looked
at from the point of view of the interpersonal
meaning, there are two points to note here.
First, all the five clauses of the stanza have
speech function of “giving information”
realized in “declarative mood” in which the
The analysis in Figure 3 also shows
that
the
interpersonal
elements
corresponding to the experiential ones take
on different functions, because their jobs
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
17
now are not to represent experience, but to
realize the interactive relationships between
the information giver and the information
receiver. Thus, instead of assigning the
clause elements in the experiential domain
such functions (taking the material process
as representative) as Actor, Process, Goal,
and Circumstance, the respective elements
in the interpersonal domain are assigned the
functions of Subject – the element “by
reference to which the proposition can be
affirmed or denied” (Halliday, 1998, p. 76;
Halliday & Matthiessen, 2014, p. 145);
Predicator – the element which “specifies
the process (action, event, mental process,
relation) that is predicated of the Subject”
(Halliday, 1998, p. 79: Halliday &
Matthiessen, 2014, p. 152); Complement –
“the element that has the potential of being
Subject but is not” (Halliday, 1998, p. 80;
Halliday & Matthiessen, 2014, p. 153) or the
the poetess adopts herself also as an equal of
him reflected in Tôi ↔ người (he) (also
unseen). And since the poetess is the giver of
the information, in the first four clauses, the
first personal pronoun Tôi takes on the
function of Subject (which is left out in the
first three clauses). In clause (5), the poetess’
ex-lover người (him) appears, taking on the
function of Subject, but it is the Subject of a
hypotactic (dependent) clause: người đến với
yêu đương.
From the above analysis, we can
summarize the interpersonal meaning of the
stanza realized in mood structures as
follows:
• clause (1) has the configuration of
Adjunct 1 (Một mùa thu trước) ^
Adjunct 2 (mỗi hoàng hôn) ^
Predicator Nhặt ^ Complement (cánh
hoa rơi);
• clause (2): Predicator (chẳng thấy) ^
Complement (buồn);
• clause (3): Predicator (Nhuộm) ^
Complement (ánh nắng tà) ^ Adjunct
(qua mái tóc);
• clause (4): Subject (Tôi) ^ Predicator
(chờ);
• clause (5): Subject (người) ^
Predicator (đến) ^ Adjunct (với yêu
đương).
complementary
component
which
“completes the action specified by the verb”
(Crystal, 2008, p. 67); and Adjunct – the
element that “has not got the potential of
being Subject” (Halliday, 1998, p. 80;
Halliday & Matthiessen, 2014, p. 154),
because it is “an optional or secondary element
in a construction” (Crystal, 2008, p. 12).
One point should be noted here; that
is, looked at from the point of view of tenor
of discourse, there are three parties (voices)
involved in the stanza representing two
distinct pairs or dyads of communicators.
The first pair is between the poetess and
general readers, and the poetess adopts
herself as an equal of her readers reflected in
Tôi (I) ↔ readers (unseen). The second pair
is between the poetess and her ex-lover, and
Figure 4
3.3.3. The Textual Metafunction
We are now moving on to examine
the stanza from the point of view of the
textual metafunction, analyzing the
organization of information in the clauses in
terms of Theme – Rheme, Given – New. The
result is provided in Figure 4 below.
Textual Meaning of the Stanza
(1)
Một mùa thu trước mỗi hoàng hôn Nhặt cánh hoa rơi
Theme
Given
Rheme
New
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
18
(2)
chẳng thấy
Theme
Given
as “information structure” which relates to
the two functional components of Given (or
Old) and New (information). Like the
Theme-Rheme structure, the Given-New
structure includes an optional Given
(information whose presence in the clause is
not required, and which can be recovered
from the context) and an obligatory New
(information whose presence in the clause is
required, because if there is not something
new, there would be no information at all).
In the Theme-Rheme structure, the Theme is
the prominent component which means
“here is the heading to what I am saying” and
the Rheme means the exposition of the
Theme. In contrast, in the Given-New
structure, the New is the prominent
component which means “this is point of
contact with what you know”. Under normal
conditions, Theme conflates with Given
(Theme/Given) and Rheme with New
(Rheme/New). (For more detail, see
Halliday, 1970, p. 163; see also Halliday,
1998; Halliday & Matthiessen, 2014). These
theoretical statements are true to our analysis
for the Theme-Rheme and Given-New
structures of the stanza in Figure 4 which can
be elaborated in some more detail below.
buồn
Rheme
New
(3)
Nhuộm ánh nắng tà qua mái tóc
Theme Rheme
Given
(4)
New
Tôi
chờ
Theme
Given
Rheme
New
(5)
người
đến với yêu đương
Theme
Theme
Rheme
New
The analysis of the stanza in Figure 4
shows that the basic unit of language in use
is not a word or a clause but a “text”, and the
textual elements in language are the choices
through which the speaker or writer
produces texts and uses language
appropriate to the context. In this textual
metafunction, the clause is said to be
organized as a message. As a message, the
clause, in normal or unmarked conditions,
begins with the element assigned the
function of Theme – the fulcrum or starting
point of the message. The remainder of the
message – the element which tells about the
Theme, is referred to (to use the terminology
of the Prague school of linguists) as Rheme.
“A message consists of a Theme combined
with a Rheme” (Halliday 1998, p. 28; see
also Cao, 2004; V. V. Hoang, 2007).
Clause (1) starts with the two
nominal groups Một mùa thu trước and mỗi
hoàng hôn. These elements both function as
Theme/Given, and the remaining segment
Nhặt cánh hoa rơi functions as Rheme/New.
In clause (2), the verbal group chẳng thấy
functions as Theme/Given and the adjective
buồn as Rheme/New. In clause (3), the verb
Nhuộm functions as Theme/Given and the
remaining segment ánh nắng tà qua mái tóc
as Rheme/New. In clause (4) the first
personal pronoun Tôi functions as
Theme/Given and the verb chờ as
Rheme/New. And in clause (5) the third
personal pronoun người functions as
Theme/Given and the remaining segment
đến với yêu đương as Rheme/New.
The analysis in Figure 4 also shows
that the Theme-Rheme structure is closely
related to another aspect of the textual
organization of language referred to in SFL
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
19
A closer inspection of the stanza will
reveal that there is a difference between the
components assigned the function of
Theme/Given in clause (1) and those
assigned the same function in clauses (2) and
(3) and in clauses (4) and (5). In clause (1),
Một mùa thu trước and mỗi hoàng hôn are
assigned the function of Circumstance: time
1 and Circumstance: time 2 experientially,
Adjunct 1 and Adjunct 2 interpersonally, and
Theme/Given textually. In clauses (2) and
(3), in contrast, chẳng thấy and Nhuộm are
assigned the function of Process: mental and
Process: material experientially, Predicator
interpersonally, but Theme/Given textually;
and in clauses (4) and (5) Tôi and người are
assigned
the
function
of
Actor
experientially, Subject interpersonally, but
Theme/Given textually. The different
components assigned the function of
Theme/Given in the clauses of the stanza can
be summarized below.
• Clause (1):
Theme/Given = Adjunct = Circumstance
• Clauses (2) and (3):
• Clauses (4) and (5):
Theme/Given = Process = Predicator
Theme/Given = Actor = Subject
3.3.4. The Logical Metafunction
communication, the speaker rarely focuses
on construing things as single phenomena.
Rather, he or she makes use of the infinite
resource of language to create complex
categories such as all those five beautiful
white chickens, in which the Thing
(chickens) is characterized by a combination
of qualities (beautiful and white), quantities
(all and five) and the location of the Thing
relative to the speaker (those) (for more
detail of the meaning and structure of the
nominal group, see Halliday 1998, pp. 353-77;
Halliday & Matthiessen, 2014, pp. 364-96 in
relation to English, and T. C. Nguyen, 1999;
V. V. Hoang, 2006 in relation to
Vietnamese); or If you came early,
remember to wait for me, where two single
events If you came early and remember to
wait for me are combined to create a
complex forming an inter-clausal logico-
semantic relationship of the pattern “If A
then B”. Thus, clause complex is a resource
for creating systems of general logico-
semantic relationships such as “parataxis”,
“hypotaxis”, “expansion”, and “projection”.
“parataxis” refers to the relationship of equal
status between clauses in the clause complex
as in ||| (1) John didn’t wait; || (2) he ran
away |||; “hypotaxis”: the relationship of
unequal status between clauses in the clause
complex where there is one main (primary)
In Sections 2, 3, and 4, we presented
the metafunctions of language and their
lexicogrammatical patterns within the
clause, in which the groups and phrases
together constitute the experiential meaning,
the interpersonal meaning, and the textual
meaning. In this section, we will be
concerned with another aspect of the
ideational metafunction – the logical
metafunction which relates to “the
possibilities of combining messages into the
clusters of clauses we call complexes” (Butt
et al., 2003, p. 160).
Natural languages contain an
inexhaustible resource that allows users to
construe not only classes of things such as
house, door, rose, history, time, space;
qualities, shapes, sizes, and colours such as
beautiful, ugly, long, short, round, square,
white, black; and quantities (specific and
non-specific) such as one, two, three, some,
many, all, but also what is going on in the
real world, including the inner world of the
speaker’s own consciousness such as action,
event, behavior, relationship, existence, etc.
expressed through components taking on the
functions of the participant, process,
circumstance in the experiential domain as
described in Section 2. In daily
VNU JOURNAL OF FOREIGN STUDIES, VOL. 37, NO. 4 (2021)
20
clause and one or more than one dependent
(or secondary) clauses as in ||| α John ran
away || β because he was scared |||;
“expansion” which includes relationships
such as “elaboration”: one clause elaborates
the meaning of the other by describing it or
further specifying it as in ||| (1) She didn’t
answer; || = (2) she said nothing;
“extension”: one clause extends the meaning
of the other by adding something new to it as
in ||| (1) I stayed at home; || + (2) and my wife
went to work |||; “enhancement”: one clause
qualifies the meaning of the other by
reference to time, place, manner, etc. as in
||| (1) She had been reading for two hours ||
x(2) when he came |||; and “projection”
which includes two modes: “quoting”
(“direct speech” in traditional grammar): one
clause (the projecting clause) projects the
other clause(s) (the projected clause(s))
where the projected clause(s) represent(s)
that which is/are said, and the projecting
clause and projected clause(s) are of equal
status as in ||| (1) She said to him: || “(2) “Go
away.” |||; and “reporting” (“indirect speech”
in traditional grammar): one clause projects
the other clause(s) where the projected
clause(s) report(s) what is/are said, and the
projecting clause and the projected clause(s)
are of unequal status as in ||| (1)α She thought
that || (2)β he would go away ||| (for more
Figure 5
detail, see Halliday, 1985, 1998; Halliday &
Matthiessen, 2014).
Turning now to the logical meaning
of the stanza, it can be seen that in Section 2,
we have only interpreted the stanza as the
representation of experiential meaning in
single clauses, one by one. However, from
the point of view of the logical metafunction,
we will see that the wording of the stanza
forms a clause complex with two layers of
logico-semantic relationship. The first layer
consists of three clauses: ||| (1) Một mùa thu
trước mỗi hoàng hôn, Nhặt cánh hoa rơi ||
(2) chẳng thấy buồn, || (3) Nhuộm ánh nắng
tà qua mái tóc||; these are in hypotactic
relationship of enhancement with the clause
complex consisting of two clauses: ||| (4) Tôi
chờ || (5) người đến với yêu đương |||,
represented by the sequence xβ ^ α. The
second layer consists of two types of logico-
semantic relationship; the first type is the
paratactic relationship of extension between
clauses (1), (2) and (3), represented by the
sequence (1)β + (2)β + (3)β; and the second
type is the hypotactic relationship of
extension where (5) extends the meaning of
(4), represented by the sequence (4)α + (5)β.
These layers of logico-semantic relationship
of the clause complex in the stanza can be
shown in Figure 5 below.
Logico-Semantic Relationships of the Clause Complex in the Stanza
||| (1)β Một mùa thu trước mỗi hoàng hôn
xβ
α
Nhặt cánh hoa rơi || + (2)β chẳng thấy buồn ||
+ (3)β Nhuộm ánh nắng tà qua mái tóc ||
(4)α Tôi chờ || + (5)β người đến với yêu đương. |||
If we do the bracketing analysis, the
logico-semantic relationships of the clauses
of the stanza can be presented as follows:
relationships of the expansion mode. There
is another mode of logico-semantic
relationship which contributes to the
formation of the logical metafunction of
language: that of projection mode. Let us
consider the second part of the third stanza
of the poem below.
xβ((1)β + (2)β + (3)β) ^ α((4)α + (5)β)
In the above analysis, we have been
concerned only with the logico-semantic
Tải về để xem bản đầy đủ
25 trang
13/05/2022
6660
Bạn đang xem 20 trang mẫu của tài liệu "“Các siêu chức năng ngôn ngữ” trong ngôn ngữ học chức năng hệ thống: Khung lí thuyết dùng để giải thích ý nghĩa của ngôn bản trong ngôn cảnh xã hộ", để tải tài liệu gốc về máy hãy click vào nút Download ở trên
File đính kèm:
- cac_sieu_chuc_nang_ngon_ngu_trong_ngon_ngu_hoc_chuc_nang_he.pdf
